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The Essential Dürer
Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secul...
The Horse as Cultural Icon
In modern Western society horses appear as unexpected visitors: not quite exotic, but not familiar either. This estrangement between humans and horses is a recent one since, until the 1930s, horses were fully present in the everyday world. Indeed, as well as performing utilitarian functions, horses possessed iconic appeal. But, despite the importance of horses, scholars have paid little attention to their lives, roles and meanings. This volume helps to redress the balance. It considers the value that the influential elite placed on horses as essential accompaniments to their way of life and as status symbols, as well as the role that horses played in society as a whole and the people who used and cared for them. Contributors include Greg Bankoff, Pia F. Cuneo, Louise Hill Curth, Amanda Eisemann, Jennifer Flaherty, Ian F. MacInnes, Richard Nash, Gavin Robinson, Elizabeth Anne Socolow, Sandra Swart, Elizabeth M. Tobey, Andrea Tonni, and Elaine Walker.
Early Modern Zoology: The Construction of Animals in Science, Literature and the Visual Arts (2 vols.)
The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, His...
Orthodoxies and Heterodoxies in Early Modern German Culture
Interdisciplinary essays on early modern Germany that address orthodoxy and its challenges in religion, politics, and the arts. Confronting the transformation of normative canons after the Reformation, the essays investigate authority and knowledge in an era of shifting cultural foundations.
Performing Animals
From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship. In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence. The ...
Cultural Shifts and Ritual Transformations in Reformation Europe
This volume honors the work of a scholar who has been active in the field of early modern history for over four decades. In that time, Susan Karant-Nunn’s work challenged established orthodoxies, pushed the envelope of historical genres, and opened up new avenues of research and understanding, which came to define the contours of the field itself. Like this rich career, the chapters in this volume cover a broad range of historical genres from social, cultural and art history, to the history of gender, masculinity, and emotion, and range geographically from the Holy Roman Empire, France, and the Netherlands, to Geneva and Austria. Based on a vast array of archival and secondary sources, the contributions open up new horizons of research and commentary on all aspects of early modern life. Contributors: James Blakeley, Robert J. Christman, Victoria Christman, Amy Nelson Burnett, Pia Cuneo, Ute Lotz-Heumann, Amy Newhouse, Marjorie Elizabeth Plummer, Helmut Puff, Lyndal Roper, Karen E. Spierling, James D. Tracy, Mara R. Wade, David Whitford, and Charles Zika.
Early Modern Zoology
In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts.
The Perfection of Nature
A deep history of how Renaissance Italy and the Spanish empire were shaped by a lingering fascination with breeding. The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this fêted era of history. The same men and women who offered profound advancements in European understanding of the human condition—and laid the foundations of the Scientific Revolution—were also obsessed with controlling that condition and the wider natural world. Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanis...
Agents without Empire
It is well known that Renaissance culture gave an empowering role to the individual and thereby to agency. But how does race factor into this culture of empowerment? Canonical French authors like Rabelais and Montaigne have been celebrated for their flexible worldviews and interest in the difference of non-French cultures both inside and outside of Europe. As a result, this period in French cultural history has come to be valued as an exceptional era of cultural opening toward others. Agents without Empire shows that such a celebration is, at the very least, problematic. Szabari argues that before the rise of the French colonial empire, medieval categories of race based on the redemption sto...
