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Academic Showcases
Descriptive guide to all teaching and research collections owned by or stored at the University of Vienna, including materials such as coins, stones, plaster casts, animal preparations and skeletons, plants, models, instruments, documents, letters, photographs and slides as well as audio and video tapes.
From Bayreuth to Burkina Faso
Opera Village Africa, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner’s notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner’s introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief’s attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kéré. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, includ...
The Long Shadow of the Past
Examines key contemporary Austrian literary texts, films, and memorials that treat Nazism and the Holocaust for what they reveal about the country's contemporary politics of memory.
Oscar Wilde in Vienna
In Oscar Wilde in Vienna, Sandra Mayer examines the reception and performance history of Oscar Wilde’s dramatic works on Viennese stages from the turn of the twentieth century up to the present.
Cultural Impact in the German Context
Examines, then employs the metaphor of cultural impact in an effort to understand how culture works in the German-speaking world. How to gauge the impact of cultural products is an old question, but bureaucratic agendas such as the one recently implemented in the UK to measure the impact of university research (including in German Studies) are new. Impact isseen as confirming a cultural product's value for society -- not least in the eyes of cultural funders. Yet its use as an evaluative category has been widely criticized by academics. Rather than rejecting the concept of impact, however, this volume employs it as a metaphor to reflect on issues of transmission, reception, and influence tha...
Disruption in the Arts
The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the ‘narcissistic’ exhibition of art...
(Extra)Ordinary?
(Extra)Ordinary? edited by Jade Alexander and Katarzyna Bronk engages in research on the ways and means in which celebrity status has been created, controlled, dispersed and received in the past as well as the present.
The Performance of Celebrity: Creating, Maintaining and Controlling Fame
This volume addresses the study of celebrity across a variety of academic disciplines and time periods, with an emphasis on the ways fame is understood and controlled in the celebrity-audience relationship.
Edinburgh German Yearbook 14
Examines the heightened role of politics in contemporary German and Austrian cultural productions and institutions and what it means for German Studies.
