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Do Not Open
When the floodwaters that swamped New Orleans finally receded in September 2005, the post-Hurricane Katrina recovery began. One of the most common sights was the discarded home refrigerator, perched on the curb and ready for disposal. For months, thousands upon thousands of ruined refrigerators still awaited pick-up. Many had messages scribbled with markers or blurted with spray paint, rendered by owners and passersby alike, ranging from practical to sentimental, the angry to the darkly humorous. This book, featuring hundreds of black-and-white photographs, presents the communiques that transformed appliances into message boards, and explores the post-disaster environment that inspired their creation.
Eye of the West
This collection of photographs from the last three decades by Western writer and photographer Nancy Wood captures the people and places of rural Colorado and New Mexico.
Don Troiani's Civil War Zouaves, Chasseurs, Special Branches, & Officers
Full-color paperback features specific branch of service and type of soldier.
A Visual Dictionary of the Old West
A visual dictionary of the Old West that focuses on the life of cowboys, western settlers, boomtowns, and the gold rush.
Flowers, Butterflies and Insects
Fine-line images of roses, butterflies, tulips, caterpillars, and other specimens of plant and insect life in elegant full-page compositions. These plates are considered among the finest achievements of a great age of floral painting and the engraver's art. Reprinted from the classic, influential works of the famed artist/entomologist Merian (1647–1717). New English captions.
A Family of the Land
Since he first dreamed of a career in photography, Guy Gillette has traveled regularly to his wife’s family’s ranch, located outside the small town of Crockett, Texas. When Gillette first came to the Porter Place, as the ranch has always been known, he began to photograph the Porter family and their land. Thanks to Gillette’s sense of composition, these wonderful black-and-white photographs, dating from the 1940s, led to his career as a magazine photographer. Collected here for the first time, they document small-town life in East Texas, where Guy Gillette’s sons, the musical duo the Gillette Brothers, still run cattle. A Family of the Land offers a portrait of a community over a hal...
Art Theory as Visual Epistemology
How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collectiv...
Natural Curiosity
Parrots and lorikeets swoop down, vivid, bright and colourful. Black swans glide through the air. Owls stare out from pages, wide-eyed. A sense of awe swept through natural history circles in eighteenth-century London when the first ships returned from Sydney with their cargo of exotic animals, birds and plants – and striking watercolour illustrations. The sudden emergence, in 2011, of a large number of these watercolour illustrations has revealed much about the early years of the colony. In Natural Curiosity, Louise Anemaat uncovers never-before-published works from the artists of the First Fleet, including convicts-turned-watercolourists Thomas Watling and John Doody, and the anonymous 'Port Jackson Painter'. She unravels the complex network of natural history collectors who spanned the globe – eagerly acquiring, copying and exchanging these artworks – from New South Wales Surgeon-General John White to passionate British collector Aylmer Bourke Lambert.
