Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Companion to Baroque Music
  • Language: en
  • Pages: 596

Companion to Baroque Music

The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.

The Courtiers' Anatomists
  • Language: en
  • Pages: 359

The Courtiers' Anatomists

"The Courtiers Anatomists" is about dead bodies and live animals in Louis XIV s Paris. By exploring the practice of seventeenth-century anatomy, Anita Guerrini reveals how animals were central to collecting, describing, and classifyingnatural historyand how anatomy and natural history were linked through animal dissection and vivisection. She looks at the early modern animal project, and particularly at Joseph-Guichard Duverney and Claude Perrault, in the context of the court, the city of Paris, and burgeoning audiences for natural history. The Academy and the King s Garden were the two main sites in Paris for the performance of natural history, and much of the Scientific Revolution in Franc...

Isaac Vossius and his Circle
  • Language: en
  • Pages: 520

Isaac Vossius and his Circle

  • Type: Book
  • -
  • Published: 2021-10-18
  • -
  • Publisher: BRILL

This book gives a detailed account of the most interesting period in the life of the Dutch humanist scholar Isaac Vossius (Leiden 1618 – Windsor 1689). It is largely based on Vossius’s extensive correspondence, much of which has never been published before. In particular, Isaac’s correspondence with his father, Gerardus Joannes Vossius, has been thoroughly investigated and is a prime source of information here. Isaac Vossius’s travels through England, France and Italy followed his formative years at Leiden and Amsterdam, during which time he had come under the strong influence of the French scholar, Claude Saumaise. A narrative account of these travels is given, and Vossius’s conta...

Scepticism and Irreligion in the Seventeenth and Eighteenth Centuries
  • Language: en
  • Pages: 394

Scepticism and Irreligion in the Seventeenth and Eighteenth Centuries

  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: BRILL

This volume seeks to clarify and understand the challenges made to both the framework of thinking about God and religion in the 17th and 18th centuries and to the intellectual systems that had supported religious thinking earlier. Ample attention is given to early-modern interpretations of ancient Pyrrhonism and to biblical criticism.

Rome and the Counter-Reformation in Scandinavia: The Age of Gustavus Adolphus and Queen Christina of Sweden, 1622-1656
  • Language: en
  • Pages: 852

Rome and the Counter-Reformation in Scandinavia: The Age of Gustavus Adolphus and Queen Christina of Sweden, 1622-1656

  • Type: Book
  • -
  • Published: 2022-10-24
  • -
  • Publisher: BRILL

This volume deals with the strategies of the Counter-Reformation in the far North during the Thirty Years' War, and untangles the policies and motives that led to the conversion of Queen Christina of Sweden to Roman Catholicism in 1965.

The Making of European Music in the Long Eighteenth Century
  • Language: en
  • Pages: 353

The Making of European Music in the Long Eighteenth Century

Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics ...

Le Libertinage érudit dans la première moitié du XVIIe siècle
  • Language: fr
  • Pages: 820
Music and Culture in Eighteenth-Century Europe
  • Language: en
  • Pages: 436

Music and Culture in Eighteenth-Century Europe

This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings...

Style and Performance for Bowed String Instruments in French Baroque Music
  • Language: en
  • Pages: 294

Style and Performance for Bowed String Instruments in French Baroque Music

  • Type: Book
  • -
  • Published: 2016-04-01
  • -
  • Publisher: Routledge

Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the...

Tommaso Campanella and the Transformation of the World
  • Language: en
  • Pages: 432

Tommaso Campanella and the Transformation of the World

Tommaso Campanella (1568-1639) is one of the most fascinating, if hitherto inaccessible, intellectuals of the Italian Renaissance. His work ranges across many of the intellectual, ecclesiastical, and political concerns of that tumultuous era. John Headley uses Campanella's life and works to open a window into this complex period. He not only explicates the frequently contradictory texts of a prolific author but also situates Campanella's writings amidst the larger currents of European thought. For all its obscurely magical and astrolgocial intricacies, Campanella's entire intellectual endeavor expresses an effort to impose a distinctive order and direction upon the major issues and forces of...