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No one in France or the United States during the second half of the nineteenth century doubted that the Jesuits, loved and honored by friends, hated and feared by enemies, were a force to be reckoned with. Scholars, missionaries, educators, adventurers, social innovators - they were Renaissance men, giants. This is a biography that chronicles the life and times of just such a man, Louis-Marie Ruellan, who began his life as a romantic, pampered, bourgeois Breton who ended up a selfless servant of God. Ruellan had entered the Jesuits in 1870, just in time to serve with them in the Franco-Prussian War. After the war, he was exiled with them to England in 1880, and finally came to the United States in 1883 to work among the Salish Indians of the Pacific Northwest. Among other things, Ruellan ended up as a founder of Gonzaga University. Through Ruellan's extensive correspondence, much of which is contained in the book, the author introduces the reader to miners lured to the Northwest by gold, as well as to the Indians, homesteaders, railroad laborers, farmers, and the men and women who gave the American frontier such a magical aura.
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437-1444. To produce this volume, experts in art and general history have joined forces across the boundaries of eight different nations to explore Sassetta's work.
This is a yearbook sponsored by the British Comparative Literature Association which promotes comparative literary studies.
"T. J. Jackson Lears's No Place of Grace is a landmark book in the fields of American Studies and history, known for its rigorous research and original, near-literary style. A study of responses to the culture of corporate capitalism at the turn of the twentieth century, No Place of Grace charts the development of modern consumer society through the embrace of antimodernism, the effort among many middle and upper class Americans to recapture feelings of authenticity, vigor, depth, and connection. Rather than offer true resistance to the increasing corporate bureaucratization of the time, however, antimodernism helped accommodate Americans to the new order-it was therapeutic rather than oppositional, a forerunner to today's self-help culture. And yet antimodernism contributed a new dynamic as well, "an eloquent edge of protest," as Lears puts it, which is evident even today in anticonsumerism, sustainable living, and other practices. This edition, with a lively and discerning foreword by Jennifer Ratner-Rosenhagen, celebrates the book's 40th anniversary"--
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were n...
Charles Pinot Duclos' biography dramatizes the evolution from the rigid separation of the aristocratic and plebeian classes in the seventeenth century to the gradual social democratization in the eighteenth. This son of a Brittany merchant from the little village of Dinan rose to social prominence in the aristocratic salon circles of Paris and to literary pre eminence, as attest contemporary memoirs, the success of his novels, histories and moral writings as well as his official positions - a member of two academies, Royal Historiographer, Perpetual Secretary of the French Academy -a feat nearly impossible in the stratified society of seventeenth century France. Moreover, not only was Duclos...