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French Liberalism in the 19th Century
Political and economic liberalism has generally been considered to be of marginal import in France, but at an intellectual level, it is a different story. An exploration of the history of French economic thought shows how a rich intellectual tradition developed during the nineteenth century, which has been previously neglected in English language studies of French thinking. In this important new collection, Robert Leroux brings together key works, both from widely regarded and lesser known authors, whose thinking constituted the core of a singular intellectual movement. These include such figures as Charles Dunoyer, Joseph Garnier, Gustave de Molinari, Yves Guyot, Alexis de Tocqueville, Benj...
Encyclopedia of the Romantic Era, 1760–1850
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
The Early Novels of Benjamin Disraeli
Benjamin Disraeli (1804-81) was one of the most important political figures in 19th century Britain. However, before rising to political prominence he had established himself as a major literary figure. This set takes a critical look at Disraeli's early work.
Blackwood's Magazine, 1817-25
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the "Blackwood's Magazine" between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of "Blackwood's Magazine".
Paris in American Literatures
“Paris” could be the first word of an epic poem. While there are many cultural pilgrimages in Western Arts (The Alhambra, Venice, Mumbai, Machu Picchu, and others), Paris stands above others, flourishing as an image of possibility and sophistication. The city has a rich history with foreign artists and writers, intellectual and political exiles, military leaders and philosophers from all over the globe. Americans have gone to Paris since the colonial period – and their writing about the city is a captivating corpus of literature. Looking into novels, memoirs, poetry and other writings, Paris in American Literatures: On Distance as a Literary Resource examines the role of the French capital in the work of a diverse range of authors, including Ralph Waldo Emerson, Edith Wharton, Sherwood Anderson, Ernest Hemingway, Henry Miller, Saul Bellow, Monica Truong, and many others.
Art in Reproduction
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Modern Love and Poems of the English Roadside, with Poems and Ballads
Modern Love and Poems of the English Roadside occupies a distinctive and somewhat notorious place within George Meredith’s already unique body of work. Modern Love is now best known for the emotionally intense sonnet cycle which Meredith’s own contemporaries dismissed as scandalously confessional and indiscreet. While individual sonnets from the work have been anthologized, the complete cycle is rarely included, and the original edition has not been reprinted since its first appearance in 1862. This edition restores the original publication and supplements it with a range of accompanying materials that will reintroduce Meredith’s astonishing collection of poetry to a new generation of readers.
The Erotic Whitman
In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretica...
