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The #1 international bestselling crime thriller that introduces Belgian detective Pieter Van In, “a brusque cop with every bad habit you can think of” (The New York Times Book Review). The beautiful medieval architecture of Bruges belies the dark longings of her residents. When the wealthy and powerful Ludovic Degroof’s jewelry store is robbed, nothing is stolen, but the jewels have been dissolved in jars of aqua regia, an acid so strong that it can melt even gold. In the empty safe is a scrap of paper on which a strange square has been drawn. At first, Inspector Van In pays little attention to the paper, focusing on the bizarre nature of the burglary. But when Degroof’s children begin to receive letters with this same enigmatic square, Van In and the beautiful new District Attorney, Hannelore Martens, find themselves engaged in solving the mystery of a complex web of Latin phrases, a baroness’ fallen family, and Degroof’s unsettling relationship with a hostage grandchild, who is being ransomed for a priceless collection of art.
DIVIn the second novel by the international bestselling Pieter Aspe, Inspector Van In races against the clock to thwart a series of terrorist plots One quiet snow-covered Sunday morning in Bruges, a prominent business executive is found dead in the streets, apparently due to an alcoholic hemorrhage, but for Inspector Van In, there is something about the autopsy that does not add up. When he questions the businessman’s friend, a Dutchman, he too is found dead the next morning, burned to death in a house fire. When there is an explosion in the middle of a popular tourist area in downtown Bruges, Van In strives to find the connection between the three incidents, but no one is coming forward to claim responsibility for this terrorist attack. Just an anonymous letter to the police, threatening more bombings—unless they cooperate with a series of demands that would undermine the entire city government. Aided by the spunky and beautiful assistant DA, Hannelore Martens, Inspector Van In finds himself enmeshed in the case that threatens not just the lives of countless innocent people, but the heart of the city he loves. /div
Inspector Pieter Van In is begrudgingly finishing up a healthy lunch when he hears the news: While moving into a restored farmhouse, a family has found a skeleton in the backyard. Now married to the deputy public prosecutor, Hannelore Martens, Van In is determined to solve the case in double-quick time and squeeze in one last vacation before their first child is born. But this murder is trickier than it looks, and Van In soon finds himself in murky waters. The Vermasts' land previously belonged to Lodewijk Vandaele, the owner of what used to be one of the largest contractor companies in West Flanders before it was suddenly handed over to a right-wing charity. The heavily endowed foundation appears to have no expenditures or investments. So who's financing it--and why?Before he knows it, Van In finds himself in the middle of a complex web--one that involves high-level officials and law enforcement as much as common thugs. The more determined Van In becomes to unravel the thread, the harder it gets to discover the secret hidden by powerful benefactors. This time, Van In will risk lives to find out the truth.
Nominated for the Hercule Poirot Award: Commissioner Pieter Van In must find the link between members of a satanic conspiracy and a young woman’s death A young woman is found dead in the canal outside her Bruges apartment building. But what seems like a clear-cut suicide evolves into something much more complex when Commissioner Pieter Van In uncovers the girl’s involvement in a satanic sect. Who is the mysterious Venex, and why does he inspire such devotion from his disciples? Complicating the investigation further, Van In’s boss allows beautiful journalist Saartje Maes to profile the case, sparking tension with the commissioner’s expectant wife, District Attorney Hannelore Martens. As a horrific tragedy shocks the city, Van In seems to be surrounded by secrets. And though exposing them will lead him to the truth, it will also pit him against the very police force to which he’s devoted his life. A Belgian national bestseller, The Fourth Figure has been reprinted in Dutch seventeen times. It is the 4th book in the Pieter Van In Mysteries, but you may enjoy reading the series in any order.
Four gripping police procedurals set in Bruges, starring “a brusque cop with every bad habit you can think of” (Marilyn Stasio, The New York Times Book Review). Featuring the bad-tempered, libidinous, alcoholic but skilled police investigator Deputy Commissioner Pieter Van In, these four gritty crime novels from a #1 international bestselling author reveal the darker side of the beautiful Belgian city of Bruges. The Square of Revenge: The perpetrators who broke into an elite jewelry store in Bruges stole nothing, but dissolved a fortune in priceless gems in jars of powerful acid—a perplexing crime that entangles Deputy Commissioner Pieter Van In and his beautiful colleague, assistant d...
Behind the glamorous facade of elite Belgian society lies a seedy world unseen by the public eye—but nothing stays hidden forever Inspector Pieter Van In is begrudgingly finishing up a healthy lunch when he hears the news: While restoring their farmhouse, the Vermasts have found a skeleton in the backyard. Van In, who happens to be married to the deputy public prosecutor, is determined to solve the case in double-quick time and squeeze in one last vacation before the birth of his first child. But this murder is trickier than it looks. The Vermasts’ land belonged to the most prominent businessman in West Flanders before it was suddenly handed over to a right-wing charity. The heavily endowed foundation appears to have no expenditures or investments. So who’s financing it—and why? Before he knows it, Van In finds himself in the middle of a complex web—one that involves high-level officials, local law enforcement, and common thugs. The harder he tries to unravel the thread, the more difficult it becomes to uncover the secrets that the charity’s benefactors are trying to hide. This time Van In will have to risk lives to find out the truth.
Translating and interpreting are unpredictable social practices framed by historical, ethical, and political constraints. Using the concepts of situatedness and performativity as anchors, the authors examine translation practices from the perspectives of identity performance, cultural mediation, historical reframing, and professional training. As such, the chapters focus on enacted events and conditioned practices by exploring production processes and the social, historical, and cultural conditions of the field. These outlooks shift our attention to social and institutionalized acts of translating and interpreting, considering also the materiality of bodies, artefacts, and technologies involved in these scenes.
Behind the glamorous facade of elite Belgian society lies a seedy world unseen by the public eye—but nothing stays hidden forever Inspector Pieter Van In is begrudgingly finishing up a healthy lunch when he hears the news: While restoring their farmhouse, the Vermasts have found a skeleton in the backyard. Van In, who happens to be married to the deputy public prosecutor, is determined to solve the case in double-quick time and squeeze in one last vacation before the birth of his first child. But this murder is trickier than it looks. The Vermasts’ land belonged to the most prominent businessman in West Flanders before it was suddenly handed over to a right-wing charity. The heavily endowed foundation appears to have no expenditures or investments. So who’s financing it—and why? Before he knows it, Van In finds himself in the middle of a complex web—one that involves high-level officials, local law enforcement, and common thugs. The harder he tries to unravel the thread, the more difficult it becomes to uncover the secrets that the charity’s benefactors are trying to hide. This time Van In will have to risk lives to find out the truth.
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.