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This accompanying publication will explore the development and diversity of this legendary dynasty of Flemish painters over four generations and 150 years. From the proverb pictures and peasant festivals of Pieter Bruegel the Elder and his eldest son Pieter Brueghel the Younger to the exquisite flower pieces of Jan 'Velvet' Brueghel and the captivating cabinet paintings of Jan van Kessel, the book will unravel the mysteries of the dynasty, and will explore how Bruegel's sons were able to emulate their father's model despite having no access to his paintings. The book will turn the spotlight on to the major Bruegel holdings in UK collections for the first time, telling the story of the dynasty through masterpieces from British public collections and a number of previously unseen works from private collections.
Pieter Bruegel the Elder - Fall of the Rebel Angels is the first comprehensive book on one of the most cherished masterpieces of the Royal Museums of Fine Arts of Belgium in Brussels.
The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherland...
The life and times of Pieter Bruegel the Elder (c. 1526/30-1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and vir...
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.
Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfold in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in f...
Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an
This focused volume presents a deep exploration and new interpretations of the winter paintings of Pieter Bruegel the Elder (ca. 1525-1569). By applying new methodological approaches and interdisciplinary research to these masterpieces of Flemish Renaissance art, including Winter Landscape with Skaters and Bird Trap (1565) and The Census at Bethlehem (1566), both at the Royal Museums of Fine Arts of Belgium, the book offers an enhanced understanding of the painter's relationship to his time and the extent to which his winter landscapes were meant to reflect real-life situations. After tracing how these paintings have been understood over time, the essays propose new insights into such issues as whether Bruegel depicts the plight of the local populace during winter and whether The Census at Bethlehem challenges or reaffirms central power structures. Abundantly illustrated, Bruegel's Winter Scenes is both a thorough examination and a celebration of these widely admired images. Distributed for Mercatorfonds.
This up-to-date monograph incorporates the latest art-historical research and new information gleaned from recent restoration of Bruegel's work and is lavishly illustrated not only with Bruegel's paintings, drawings, and engravings but also with telling details and archival material rarely or never shown elsewhere.
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.