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John Banville and His Precursors
Bringing together leading international scholars, John Banville and His Precursors explores Booker and Franz Kafka prize-winning Irish author John Banville's most significant intellectual influences. The book explores how Banville's novels engage deeply with a wide range of sources, from literary figures such as Samuel Beckett, Heinrich von Kleist, Wallace Stevens, Rainer Maria Rilke, and Henry James, to thinkers such as Freud, Heidegger, and Blanchot. Reading the full range of Banville's writings - from his Booker Prize-winning novel The Sea to his latest book, Mrs Osmond – John Banville and His Precursors reveals the richness of the author's work. In this way, the book also raises questions about the contemporary moment's relationship to a variety of intellectual and cultural traditions - Romanticism, Modernism, existentialism – and how the significance of these can be appreciated in new and often surprising ways.
Translating Myth
Ever since Odysseus heard tales of his own exploits being retold among strangers, audiences and readers have been alive to the complications and questions arising from the translation of myth. How are myths taken and carried over into new languages, new civilizations, or new media? An international group of scholars is gathered in this volume to present diverse but connected case studies which address the artistic and political implications of the changing condition of myth – this most primal and malleable of forms. ‘Translation’ is treated broadly to encompass not only literary translation, but also the transfer of myth across cultures and epochs. In an age when the spiritual world is in crisis, Translating Myth constitutes a timely exploration of myth’s endurance, and represents a consolidation of the status of myth studies as a discipline in its own right.
Translation or Transcreation? Discourses, Texts and Visuals
This wide-ranging collection brings together essays on a recent approach to translation known as transcreation. Together with new modes of translation, such as fansubbing, fandubbing, and crowdsourcing, transcreation has challenged the traditional structure of the translation market, the agency and ethics of the discipline, and encouraged new research in translation studies. A debate has emerged around the two concepts of translation and transcreation, mostly in terms of differences between the two practices and issues such as creativity, abusive translation and appropriation. Mainly applied to commercial translation, transcreation is now gaining momentum among translation scholars in broader areas of application, going beyond the early focus of promotional and advertising products where it was initially practised. In the specific context of this volume, transcreation is discussed in relation to a variety of textual and visual genres that range from poetry, prose, theatre, film and television to tourism and highly specialised legal texts.
Textual Ethos Studies, or: Locating Ethics
What is the relationship between texts and ethics? Who decides the ethics of a text, the writer or the reader? What happens to ethics in texts that portray dreams or psychoses? Is violence always inherently unethical? In dealing with others is violence to both them and oneself ever completely avoidable? Textual Ethos Studies does not attempt to provide definitive answers to these questions so much as to be a springboard to the further discussion of ethics in relation to specific texts. The essays illustrate varying perspectives — ranging from the philosophical to the psychoanalytical to the linguistic — that can be used to localize how texts engage or invite an engagement with ethics. Twenty scholars representing Asia, Europe, Israel, North America, and South Africa highlight the complex relationship between cultural context and ethics, and between the ethical and the unethical. Several essays deal with the study of atypical texts that represent different attitudes toward the violent, the disordered, the traumatized, the psychotic, and the sentimental in order to encourage — or provoke — further discussion of the relevance of these types of texts to ethics.
Experiments in Life-Writing
This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative Literature, Creative Writing). It covers a broad range of biographical, autobiographical, and hybrid practices in a variety of national literatures, among them many recent works: texts that test the ground between fact and fiction, that are marked by impressionist, self-reflexive and intermedial methods, by their recourse to myth, folklore, poetry, or drama as they tell a historical character’s story. Between them, the essays shed light on the broad range of auto/biographical experimentation in modern Europe and will appeal to readers with an interest in the history and politics of form in life-writing: in the ways in which departures from traditional generic paradigms are intricately linked with specific views of subjectivity, with questions of personal, communal, and national identity. The Introduction of this book is open access under a CC BY 4.0 license via link.springer.com.
The Oxford History of Life-Writing
The Oxford History of Life-Writing consolidates recent academic research and debate to provide a multi-volume history of life-writing. Each volume provides a selective survey of the range of life-writing in a given period with particular focus on the most important or influential authors and works within the genre. VOLUME 1: The Middle Ages' explores the richness and variety of life writing in the Middle Ages, ranging from Anglo-Latin lives of missionaries, prelates, and princes to high medieval lives of scholars and visionaries to late medieval lives of authors and laypeople. VOLUME 2: Early modern explores life-writing in England between 1500 and 1700, and argues that this was a period which saw remarkable innovations in biography, autobiography, and diary-keeping that laid the foundations for our modern life-writing.
Handbook of the American Novel of the Nineteenth Century
This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.
Literature
LITERATURE A WORLD HISTORY An exploration of the history of the world’s literatures and the many varieties of literary expression Literature: A World Historyencompasses all the world’s major literary traditions, emphasizing the interrelationship of local and national cultures over time. Spanning global literature from the beginnings of recorded history to the present day, this expansive four-volume set examines the many varieties of the world’s literatures in their social and intellectual contexts. Its four volumes are devoted to literature before 200 CE, from 200 to 1500, from 1500 to 1800, and from 1800 to 2000, with four dozen contributors providing new insights into the art of lite...
Wallace Stevens and the Contemporary Irish Novel
Wallace Stevens and the Contemporary Irish Novel is a major contribution to the study of the literary influence of the American modernist poet Wallace Stevens. Stevens’s lifelong poetic quest for order and the championing of the creative affordances of the imagination finds compelling articulation in the positioning of the Irish novel as a response to larger legacies of Anglo-American modernism, and how aesthetic re-imagining can be possible in the aftermath of the destruction of certainties and literary tradition heralded by postmodern practice and metatextual consciousness. It is this book’s argument that intertextual influences flowing from Stevens’s poetry towards the vitality of t...
John Banville and His Precursors
Bringing together leading international scholars, John Banville and His Precursors explores Booker and Franz Kafka prize-winning Irish author John Banville's most significant intellectual influences. The book explores how Banville's novels engage deeply with a wide range of sources, from literary figures such as Samuel Beckett, Heinrich von Kleist, Wallace Stevens, Rainer Maria Rilke, and Henry James, to thinkers such as Freud, Heidegger, and Blanchot. Reading the full range of Banville's writings - from his Booker Prize-winning novel The Sea to his latest book, Mrs Osmond – John Banville and His Precursors reveals the richness of the author's work. In this way, the book also raises questions about the contemporary moment's relationship to a variety of intellectual and cultural traditions - Romanticism, Modernism, existentialism – and how the significance of these can be appreciated in new and often surprising ways.
