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This exploration in the history of ideas examines the groundbreaking notion of the embodied mind in its analysis by the French philosopher and politician Maine de Biran (1766–1824) and in its afterlife: consciousness is generated through frequent interaction between the voluntary and the spiritual. The conscious, active self is constituted in its sovereign autonomy, as free and undivided, by an inner act of willful resistance, a physical effort towards its own body and the world. For the first time, a multidisciplinary group of senior and junior researchers from Japan, USA and Europe investigate origins and discursive cross-fertilization of this concept around 1800, an intermediary stage between 1870 and 1945, and its influence upon existentialism, phenomenology, and deconstructivism during the postwar-period and beyond, from 1943 to 2010.
Embodied Idealism argues that Maurice Merleau-Ponty's early thought - primarily as found in The Structure of Behavior and Phenomenology of Perception - stands as a form of transcendental idealism. This interpretation runs against the grain of much of the Merleau-Ponty scholarship, and opposing interpretations are not without support. Merleau-Ponty is at points highly critical of idealism in his early works. Also, his emphasis on embodiment would seem to run counter to the idealist view that the mental is central to reality. Joseph Berendzen shows that these points can be accommodated within a transcendental idealist interpretation. Merleau-Ponty's overt criticisms of idealism are aimed at sp...
French philosophy is an internationally celebrated national philosophical tradition, and this Oxford Handbook offers a comprehensive approach to its history since 1800. The Handbook features essays written by renowned international specialists, illuminating key movements and positions, themes and thinkers in nineteenth-, twentieth- and even twenty-first-century French philosophy. The volume takes into account developments in recent historical scholarship by broadening the notion of Modern French Philosophy in two ways. Whereas recent approaches in the field have often ignored early nineteenth-century developments, this volume offers comprehensive treatment of French thought of this period in...
Sommario: Giovanni Matteucci, Stefano Marino, Presentazione • Stefano Marino, Giovanni Matteucci, The Dark Side of the Truth. Nature and Natural Beauty in Adorno • Josef Früchtl, Tell Me Lies, and Show Me Invisible Images! Adorno’s Criticism on Film – Revisited • Tom Huhn, The Enigma of Experience; Art and Truth Content • Giuseppe Di Giacomo, Form, Appearance, Testimony: Reflections On Adorno’s Aesthetics • Samir Gandesha, Adorno’s Reading of Endgame: Between Autonomy and Authenticity • Fabrizio Desideri, Ratio, Mimesis, Dialectics: On Some Motifs in Theodor W. Adorno • Giovanni Zanotti, Contingent Antagonism. A Key to Adorno’s Dialectic • Paolo A. Bolaños, The Promise of the Non-Identical: Adorno’s Revaluation of the Language of Philosophy • Filippo Costantini, Cosa mostra la dialettica? Contraddizione, negazione e non identità in Hegel e Adorno • Giacomo Fronzi, Dialettica negativa, metafisica e intersoggettività. Una lettura relazionale del pensiero di Th.W. Adorno • Pietro Terzi, Critica e decostruzione dell’immediato. Adorno e Derrida di fronte a Husserl
ARTICLES: Patrick BRISSEY, Reasons for the Method in Descartes’ Discours Abstract: In the practical philosophy of the Discours de la Méthode, before the theoretical metaphysics of Part Four and the Meditationes, Descartes gives us an inductive argument that his method, the procedure and cognitive psychology, is veracious at its inception. His evidence, akin to his Scholastic predecessors, is God, a maximally perfect being, established an ontological foundation for knowledge such that reason and nature are isomorphic. Further, the method, he tells us, is a functional definition of human reason; that is, like other rationalists during this period, he holds the structure of reason maps onto ...
Félix Ravaisson's French Philosophy in the Nineteenth Century is one of the most influential and pivotal texts of modern French thought. Commissioned by the Minister of Public Instruction as one of a series of reports to record the progress of the French sciences and humanities for Paris' second world fair, the 1867 Exposition universelle d'arts et d'industrie, it was published with the others the following year. In the report Ravaisson argues, with verve and generosity, and with an unparalleled command of the century's intellectual developments, that the myriad voices in nineteenth-century French thinking were beginning to form a chorus, one that was advancing towards a new, more concrete ...