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This stunning book offers a faithful translation of the odes of Pindar, a Greek poet of the fifth century BC. Known for their intricate and elaborate style, Pindar's odes celebrate victories in athletic contests and offer insight into ancient Greek culture and society. This book is a must-have for anyone interested in classical literature and history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Pindar and the Cult of Heroes takes a radical new look at the veneration and cult of heroic men, living and dead, in ancient Greece. Bruno Currie finds the roots of the Hellenistic ruler cult, and hence Roman emperor cult, in the 5th century BC (and earlier). Pindar's victory odes represent a crucial stage in this process. Currie also offers a major re-evaluation of the epinician genre and extensive studies of five of Pindar's odes.
This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.
The Extant Odes Of Pindar Greek Classics Brand New Copy Pindar (c. 522–443 BC), was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems however can also seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of ...
'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek r...
In addition to Pindar's “A Dissertation on the Olympick Games”and the “Odes of Pindar” this work includes translations of Horace, Euripides, Lucian, and other classical poets. Including The Fourth Odes of the Fourth Book of Horace, Iphigenia in Tauris. A Tragedy. Translated from the Greek of Euripides, The Triumphs of the Gout. Translated from the Greek of Lucian, Translations from the Argonauticks of Apollonius Rhodius, The Hymn of Cleanthes, and Menexenus. A Dialogue of Plate.