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The Bibliographer
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The Highly Civilized Man
Though best remembered as an adventurer who entered Mecca in disguise and sought the source of the White Nile, Richard Burton contributed so forcefully to his generation that he provides us with a singularly panoramic perspective on the world of the Victorians. Engagingly written and vigorously argued, this book is an important contribution to our understanding of a remarkable man and a crucial era.
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Law and the Image
Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
Notes and Queries
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The Way of a Virgin: Being Excerpts from Rare, Curious and Diverting Books
"In Europe, young girls who are not very virtuous, and who have studied all the various forms of flirtation, are most generally passed off as virgins when they marry. Even when it does not really exist, there are many ways by which a virginity—which perhaps has been sold over and over again by expert and clever procuresses—can be simulated. A little time before going to the nuptial bed, the girl inserts into her vagina a few drops of pigeon's blood; or in some cases she selects for her wedding day the last day of menstruation. A sponge, skillfully placed, allows the blood to flow at the moment of the catastrophe, when a sudden 'Oh!' announces to the unsuspecting husband that the temple h...
Postcolonialism, Psychoanalysis and Burton
By engaging closely with the work of Richard Francis Burton (1821-90), the iconic nineteenth-century imperial spy, explorer, anthropologist and translator, Postcolonialism, Psychoanalysis and Burton explores the White Man’s ‘imperial fantasies’, and the ways in which the many metropolitan discourses to which Burton contributed drew upon and reinforced an intimate connection between fantasy and power in the space of Empire. This original study sheds new light on the mechanisms of imperial appropriation and pays particular attention to Burton’s relationship with his alter ego, Abdullah, the name by which he famously travelled to Mecca and Medina disguised as a Muslim pilgrim. In this context, Grant also provides insightful readings of a number of Burton’s contemporaries, such as Müller, du Chaillu, Darwin and Huxley, and engages with postcolonial and psychoanalytic theory in order to highlight the problematic relationship between the individual and imperialism, and to encourage readers to think about what it means to read colonial history and imperial narrative today.
