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There exists an Anglo-Saxon manuscript, where we hear of an outcast wife, a husband, his messenger, a lover and a baby. Merge these tales with what we know of the royal family buried at Sutton Hoo in East Anglia, including Raedwald and his brother, Eni, living at the end of the 6th century AD. They believe in the old gods, like Woden, and have not yet encountered Christianity. Their culture is vibrant, exciting, terrifying in its cruelty, and uninhibited in its morality. Travel from the East Anglian fenlands, over northern moors to the remote Northumbrian river where the story reaches its climax. Along the way, discover life in a royal hall or a hovel; cure wounds or inflict them; share a feast or scrape a meal; work fertility charms or protect your folk from evil. Here is a tale of love and betrayal, courage and fear. Niartha, the fictional heroine, outcast from her people, encounters hardship, abuse and loss as she seeks her exiled lover; her survival depends on her practical skills, unexpected in a kings daughter. In their desires and social lives, Anglo-Saxons, although separated from us by fourteen hundred years, are not so very alien, after all.
Brightfire covers important events during and after the reign of King Raedwald of Sutton Hoo, Suffolk, East Anglia, UK, and is set mainly in and around his homestead nearby, with some scenes set in Northumbria and elsewhere. The story is set in the period 608-633 AD, when Christianity is struggling to take hold on the eastern side of Britain. In this sequel to Storm Frost, Niartha remains a key character and so does her son Ricberht, now a goldsmith: though Brightfire can stand alone. Eorpwald, Raedwalds son, is hostile to Christians, jealous of other, successful young men (including Ricberht) and is a cruel bully in spite of all his fathers efforts to master him during his lifetime. When Raedwald dies no-one can control Eorpwald. Even his own people are in danger. We see fighting and feasting, rescue and rape, cruelty and kindness, laughter and grief in a story that rises to a strong climax. www.suttonhoonovels.co.uk
Imagining the Pagan Past explores stories of Britain's pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.
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This is the third edition of this publication which contains the latest information on vaccines and vaccination procedures for all the vaccine preventable infectious diseases that may occur in the UK or in travellers going outside of the UK, particularly those immunisations that comprise the routine immunisation programme for all children from birth to adolescence. It is divided into two sections: the first section covers principles, practices and procedures, including issues of consent, contraindications, storage, distribution and disposal of vaccines, surveillance and monitoring, and the Vaccine Damage Payment Scheme; the second section covers the range of different diseases and vaccines.
Emma Watson’s Our Shared Shelf book club choice New York Times bestseller ‘Fascinating’ Sunday Times ‘Thrilling’ &★&★&★&★&★ Mail on Sunday All they wanted was the chance to shine. Be careful what you wish for… ‘The first thing we asked was, “Does this stuff hurt you?” And they said, “No.” The company said that it wasn’t dangerous, that we didn’t need to be afraid.’ As the First World War spread across the world, young American women flocked to work in factories, painting clocks, watches and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous – the girls shone brightly in the dark, covered head to...
Introduction : why agroecology? -- The scientific principles of agroecology -- The scientific evidence for agroecology : can it feed the world? -- Scaling up agroecology : social process and organization -- The politics of agroecology -- Conclusions : conform or transform?