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In 1877, Ruskin accused Whistler of ‘flinging a pot of paint in the public’s face’. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public’s face? Whistler’s answer was simple: painting is music – or it is poetry. Georges Braque, half a century later, echoed Whistler’s answer. So did Braque’s friends Apollinaire and Ponge. They presented their poetry as music too – and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art – music – as if it transposed the values of painting or of poetry. The...
Pretentious Butterflies is a collection of melancholy poems written between 2013-2019.Pretentious Butterflies touches on subjects like death, anxiety, anger, despair, guilt and sadness.The poems were written as aresponse to dark thoughts, in hopes of understanding the deep emotional stress of depression and how it effects us human beings in our daily lives. The aim of this book is not to make the reader in deep dark despair or misery, but rather a hopeful book , that creativity can be an escape in dealing with desolate feelings, however heartbroken, gloomy or simply unhappy one might feel through this life.
In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans...
The first book by Helene Cixous on painting and the contemporary arts. This collection gathers most of Helene Cixous' texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artist Roni Horn, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media - photography, painting, installations, film, choreography and fashion design - while the commentaries all deal with some of Helene Cixous' privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness.Neither art criticism nor a collection of critical essays, Helene Cixous responds to these artworks as a poet, reading them as if they were poems. Written between 1985 and 2010, most of these essays are unpublished in English, or published only in rare catalogues or art books.
Literary Nonfiction. JOURNEY TO MOUNT TAMALPAIS is an essay on Nature, Art, and the relationship between them. Highly original in both content and literary structure, it provides a new outlook on the importance of Nature as an element of thinking; one of the major works on the "spirit of place" in contemporary literature. This book is illustrated with 17 drawings by the author. "An enlightening journey for those who love the mountain, and for those who love Etel Adnan." Wendell Berry"
The first study to offer an integral theory of love poetry, examining why it is that poetry, even more than other arts, is so consistently associated with romantic love.
Confronting the elaborate topic of appetites, this collection of linguistic play features an array of uncommonly beautiful poems. By turns sassy and sumptuous, sparkling with mischief, and marked by deep feeling, these tall tales, off-color jokes, and cockamamie theories comment on everything and everyone. The result is imaginatively abundant, formally audacious, and one of the most arresting poetry debuts in recent memory.
Poetry. Art. Women's Studies. FABULAS FEMINAE contains two dozen profiles of famous women in a collaborative book project created by Susan Bee and Johanna Drucker. These two distinguished artists have combined their talents to produce a work that is contemporary in tone, a minor monumental tribute to a diverse gallery of heroic women from across history. The text was composed using a natural language-processing technique that samples a large corpus and compresses it algorithmically, mirroring the sampling techniques of collage practice in the visual images. Strikingly designed, with bold blocks of text that echo the graphic features in the imagery, the result is a fresh, engaging, and inform...
The debut collection from Hannah Regel, whose forthcoming novel The Last Sane Woman is out this year with Verso. "In OLIVER REED, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something--line break or literal incision--to break you in. OLIVER REED is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: 'Sorry attends her Birth' after 'Sorry is a Girl, Grown Up.' I wish I'd read OLIVER REED at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn't, either."--from...
"Pennies on my Eyes ... is a centennial collection of Wilfred Owen's poetry illustrated by Reading-based artists."--Back cover.