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The Cambridge History of English Poetry
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
An Introduction to English Poetry
James Fenton's An Introduction to English Poetry offers a master class for both the reader and writer of poetry. Simply and elegantly written and discussing the work of poets as wide ranging as W. H. Auden, Dylan Thomas, Tennyson, Kipling, Milton and Blake, it covers all varieties of poetic practice in English. 'It is hard to imagine a beginner who could not learn from [this book]. If you know a young poet, give them this' The Times Literary Supplement
The Best Poems of the English Language
This comprehensive anthology attempts to give the common reader possession of six centuries of great British and American poetry. The book features a large introductory essay by Harold Bloom called "The Art of Reading Poetry," which presents his critical reflections of more than half a century devoted to the reading, teaching, and writing about the literary achievement he loves most. In the case of all major poets in the language, this volume offers either the entire range of what is most valuable in their work, or vital selections that illuminate each figure's contribution. There are also headnotes by Harold Bloom to every poet in the volume as well as to the most important individual poems. Much more than any other anthology ever gathered, this book provides readers who desire the pleasures of a sublime art with very nearly everything they need in a single volume. It also is regarded as his final meditation upon all those who have formed his mind.
Poems of England
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The Rhythms of English Poetry
Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.
The First Poems in English
This selection of the earliest poems in English comprises works from an age in which verse was not written down, but recited aloud and remembered. Heroic poems celebrate courage, loyalty and strength, in excerpts from Beowulf and in The Battle of Brunanburgh, depicting King Athelstan’s defeat of his northern enemies in 937 AD, while The Wanderer and The Seafarer reflect on exile, loss and destiny. The Gnomic Verses are proverbs on the natural order of life, and the Exeter Riddles are witty linguistic puzzles. Love elegies include emotional speeches from an abandoned wife and separated lovers, and devotional poems include a vision of Christ’s cross in The Dream of the Rood, and Caedmon’s Hymn, perhaps the oldest poem in English, speaking in praise of God.
The Harpercollins Book Of English Poetry
'Among the 60 essential English-language works of Modern Indian Literature. An important literary marker'-World Literature Today The HarperCollins Book of English Poetry by Indians is a major landmark international book that reflects the vibrant contemporary poetry culture of India and the broader Indian diaspora - the United States and Canada, The United Kingdom and Europe, Africa and Asia, Australia and the Pacific. The featured poets are born post 1950, after India became a republic, and showcase the best English poetry by Indians over the last sixty years. A unique feature of this discerning anthology is that over 90 per cent of the poems are new and unpublished in individual author volumes. Expertly edited by Sudeep Sen, this significant book is a must-have for literature and poetry lovers - an essential compendium for academics, students, librarians and interested lay readers who want to sample the vibrant cultural and intellectual milieu of India, at home and in the world.
English Poetry of the Eighteenth Century, 1700-1789
In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
