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As this gloriously diverse, revelatory selection of translations from the Poetry Translation Centre's first decade proves, nothing has invigorated poetry in English more than translation. Here you will find 111 brilliant poems translated from 27 different languages (ranging from Arabic to Zapotec: all the original scripts are included) by 45 of the world's leading poets. Arranged on a journey from exile to ecstasy, these powerful poems have been co-translated by some of the UK's best-loved poets including Jo Shapcott, Sean O'Brien, Lavinia Greenlaw, W.N. Herbert, Mimi Khalvati and Nick Laird. Founded by Sarah Maguire, the Poetry Translation Centre aims to transform English verse through engaging with the rich poetic traditions of the UK's recent immigrant communities for whom poetry is of overwhelming importance. Reading these Somali, Afghan, Sudanese and Kurdish poets (26 countries are represented), you will understand why their scintillating and heartbreaking poems inspire such devotion.
Diana Anphimiadi is one of the most widely revered Georgian poets of her generation. Georgian-English dual language edition.
Although Asha Lul Mohamud Yusuf has lived in exile in the UK for 20 years, she is fast emerging as one of the most outstanding Somali poets, as well as a powerful woman poet in a literary tradition still largely dominated by men. She is a master of the major Somali poetic forms, including the prestigious gabay, by which she presents compelling arguments with astonishing feats of alliteration. The key to her international popularity is in her spirit and message: her poems are classical in construction but they are unmistakeably contemporary, and they engage passionately with the themes of war and displacement which have touched the lives of an entire generation of Somalis. The mesmerising poems in this landmark collection are brought to life in English by award-winning Bloodaxe poet Clare Pollard. Somali-English dual language edition co-published with the Poetry Translation Centre.
Cyfrol yn archwilio gweddwdod Helen Thomas, gwraig y bardd rhyfel Edward Thomas, gan gynnig golwg gyffredinol ar ryfel a galar, priodas a phrofedigaeth. Ceir arweiniad i fyfyrdod ar fywyd Helen gan gerdd y bardd i'w wraig, 'And You, Helen', ynghyd â cherdd hir Deryn Rees-Jones yn dwyn yr un teitl. Cyfoethogir y gyfrol gan luniau Charlotte Hodes. -- Cyngor Llyfrau Cymru
A collection of poetry from Africa.
Al-Saddiq Al-Raddi is one of the leading African poets writing in Arabic today. Famous in his native Sudan, the vivid imagery of his searing, lyric poems create the world afresh in their yearning for transcendence. In 2005 Saddiq's poems were first translated into English by the Poetry Translation Centre for their first World Poets' Tour. Since then he has received a rapturous reception from UK audiences. Born in Omdurman Khartoum in 1969, Saddiq has published four volumes of poetry, including his Collected Poems (Cairo, 2009). From 2006 he was the cultural editor of Al-Sudani newspaper until he was forced into exile in 2012. He claimed asylum in the UK and now lives in London.
The Hammer is both weapon and tool, an outcry against millennia of rape and a serious attempt to imagine otherwise.
From a bewitching new voice, a story of a young woman coming into her own
Negative of a Group Photograph brings together three decades of poems by the leading Iranian poet Azita Ghahreman. Born in Mashhad in 1962 and based in Sweden since 2006, Ghahreman is the author of five highly acclaimed collections. Her poems are lyrical and intimate, addressing themes of loss, exile and female desire, as well as the changing face of her country. Negative of a Group Photograph runs the gamut of Ghahreman's experience: from her childhood in the Khorasan region of south-eastern Iran to her exile to Sweden, from Iran's book-burning years and the war in Iraq to her unexpected encounters with love. The poems in this illuminating collection are brought to life in English by the poet Maura Dooley, working in collaboration with Elhum Shakerifar. Farsi-English dual language edition co-published with the Poetry Translation Centre.
This volume provides an account of collaborative poetry translation in practice. The book focuses on the 'poettrio' method as a case study. This process brings together the source-language poet, the target-language poet, and a language advisor serving as a bilingual mediator between the two. Drawing on data from over 100 hours of recorded footage and interviews, Collaborative Poetry Translation offers both qualitative and quantitative analyses of the method in practice, exploring such issues as poem selection, translation strategies, interaction between participants, and the balancing act between the different cultures at play. A final chapter highlights both the practical and research implications for practices of collaborative translation. This innovative work is situated in an interdisciplinary framework of collaborative translation, poetry translation, poetry and creative writing, and it addresses concerns ranging from the ethnography of collaboration to contemporary publishing practice. It will be of interest to students, scholars, and specialists in translation studies, comparative literature, literary studies, and creative writing, as well as creative practitioners.