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English and Hindi Religious Poetry
Preliminary Material /John A. Ramsaran -- Preface /John A. Ramsaran -- Introduction /John A. Ramsaran -- The European Background /John A. Ramsaran -- The Indian Background /John A. Ramsaran -- Religious Practice and Poetic Expression /John A. Ramsaran -- Middle English Lyrics and Saguṇa Bhakti /John A. Ramsaran -- The Baroque in English and Hindi Religious Poetry /John A. Ramsaran -- Divine Infatuation /John A. Ramsaran -- The Metaphysical Vision /John A. Ramsaran -- English Metrical Psalms, Donne's Holy Sonnets and Tulasī Dāsa's Vinaya Patrikā /John A. Ramsaran -- Allegory and the Religious Epic /John A. Ramsaran -- Conclusion /John A. Ramsaran -- Bibliography /John A. Ramsaran -- Index /John A. Ramsaran.
Paṇḍitarāja Jagannātha, the Renowned Sanskrit Poet of Medieval India
Study on the works of Jagannatha Panditaraja.
Urdu/Hindi: An Artificial Divide
In a blow against the British Empire, Khan suggests that London artificially divided India's Hindu and Muslim populations by splitting their one language in two, then burying the evidence in obscure scholarly works outside the public view. All language is political -- and so is the boundary between one language and another. The author analyzes the origins of Urdu, one of the earliest known languages, and propounds the iconoclastic views that Hindi came from pre-Aryan Dravidian and Austric-Munda, not from Aryan's Sanskrit (which, like the Indo-European languages, Greek and Latin, etc., are rooted in the Middle East/Mesopotamia, not in Europe). Hindi's script came from the Aramaic system, simi...
Nayi Kavita
In 1943 a slim volume of poetry, Tar Saptak, burst onto the Hindi literary scene. It gave voice to seven young poets who were determined to experiment both with the content and form of poetry. Tar Saptak heralded the beginning of Prayogvad (Experimentalism), which in turn became Nayi Kavita (New Poetry). Taken from Nayi Kavita, this parallel text anthology interprets it not as a narrow literary movement but as a modernist tendency still flourishing in Hindi poetry. The collection includes seven poets who first published in one of the Saptaks: Agyeya Muktibodh, Shamsher, Raghuvir Sahay, Sarveshwar Dayal Saxena, Kunwar Narain and Kedarnath Singh. This volume also significantly revises the literary map of modern Hindi poetry, demonstrating that, contrary to established opinion, the 1960s and 1970s produced gifted women poets such as Shakunt Mathur, Amrita Bharati and Jyotsna Milan, all of whose work is represented here.
