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The Postcard’s Radical Openness
The Postcard’s Radical Openness offers a groundbreaking exploration of what this multifaceted, double-sided open card entails and how it has affected our being in the world. With a holistic approach, it focuses on studying the postcard’s specific way of being and performing, a particular ontology that opens up what is constitutively implicated in such an apparently trivial artifact. The book, organized into four parts, meticulously unveils the postcard’s political, technological, aesthetic, and ethical dimensions, ending with a coda correlating the postcard’s radical openness to G. Klimt’s painting, Nuda Veritas (1899) in reference to the scope of truth. By examining the postcardâ€...
(Un)Following in Winnetou’s Footsteps
This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media—from literature, comics, and film to photography, painting, and the performative arts—across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that have received little or no critical attention to date. The book’s novelty also comes from its focus on the latest developme...
Cultures of Collecting
This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the "Other" and the marginal – the ephemeral, exotic, or just plain curious. There are essays on the Neoclassical architect Sir John Soane, Sigmund Freud and Kurt Schwitters, one of the masters of collage. Others examine imperialist encounters with remote cultures – the consquitadors in America in the sixteenth century, and the British in the Pacific in the eighteenth – and the more recent collectors of popular culture, be they of Swatch watches, Elvis Presley memorabilia or of packaging and advertising. With essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, John Elsner, Roger Cardinal and an interview with Robert Opie.
The Fence and the River
Offers an illustrated study that asks how the art produced about the U.S.-Mexico border reflects political and economic transformations occurring world-wide.
Early Views
This is a collection of reproduced photographs and postcards highlighting the history of the Sitka National Historical Park, as well as the town and people of Sitka. It is presented in the form of a turn of the century scrapbook.
Social Memory and Heritage Tourism Methodologies
The examination of social memory and heritage tourism has grown considerably over the past few decades as scholars have critically re-examined the relationships between past memories and present actions at international, national, and local scales. Methodological innovation and reflection have accompanied theoretical advances as researchers strive to understand representations, experiences, thoughts, emotions and identities of the various actors involved in the reproduction of social memory and heritage landscapes. Social Memory and Heritage Tourism Methodologies describes and demonstrates innovations – including qualitative, quantitative, and mixed method approaches – for analysing the ...
Hatemail
"Published by the University of Nebraska Press as a Jewish Publication Society book."
Till the Boys Come Home
This is a new edition of this classic book which includes, in its over 700 postcards, many new, powerful propaganda images from nations on both sides of this epic conflict. Here are cards from the Queen's Collection, cards from America, Australia, Austria, Belgium, Britain, Bulgaria, Canada, Czechoslovakia, Egypt, France, Germany, Holland, Italy, Rumania, Salonika, Serbia... All are faithfully reproduced from the original, whether in dramatic black and white or in exuberant colour and they are all at least 100 years old. But this is not just a picture book.Here is a rich treasure trove to be dipped into for dilettante pleasure or to be read seriously as a thematic and contemporary history of...
Images of War and War of Images
Contributors to this volume address the issue of the representation of warfare, in an attempt to assess the veracity or mendacity of war images and their probable impact upon the sequence of events. War images may trigger unfathomable horror or conversely and paradoxically attain sublimity. The margin is sometimes narrow between ethics and aesthetics, let alone the almost irrepressible shift from information to propaganda.
The Jewelers of the Ummah
A deeply personal exploration of family, empire, art and identity - from the author of Potential History Can we return to worlds destroyed by colonial violence? In a series of letters to her father, her great-grandmothers, and her children—and to thinkers such as Frantz Fanon and Hannah Arendt—Ariella Aïsha Azoulay examines the disruption of Jewish Muslim life in Algeria and broadly in the Maghreb and the Middle East by two colonial projects: French rule and the Zionist colonization of Palestine, which provoked the departure of Jews from these areas. Jewelry making was a profession that marked the Algerian Jews’ place in the world they shared in the ummah, the borderless community of ...
