You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This introduction to prehistoric pottery in Britain and Ireland is intended for the general reader and is not a specialist tool for in-depth research and analysis.
The humble pot sherd can be used to date archaeological sites and to distinguish patterns of manufacture and trade, especially within the Roman Empire. This study is concerned with the history of Roman pottery in Britain and offers a full and accessible evaluation, including actual potters' stamps.
None
Geoffrey Godden's HANDBOOK is the standard pocket reference for amateur and professionals alike, an invaluable aid for anyone who needs an authoritative identification guide to British ceramics. Continuously in print for thirty years, it has now been thoroughly revised, updated and extended in the light of the latest research on the historic porcelain manufacturers and potters. The main section lists the principal firms arranged alphabetically, shows the marks used by that firm, and gives its address, working period and the dates when the mark was used. The aim is to provide all the pre-1900 marks that the dealer or collector is likely to come across. in addition, the book records over 700 combinations of initials known to have been used as identifying signs by the potters listed, with their working periods, and full details of over 900 Staffordshire potters. A new listing of pattern and shape registrations, from 1842 to 1883, has been added, together with guidance on further reading and on the collectability of the main types. 'An amazing achievement in clear compression. ' - Collectors Guide
For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. Things of Beauty Growing explores major typologies of the vessel--such as bowl, vase, and charger--that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers. Published in association with the Yale Center for British Art and the Fitzwilliam Museum, Cambridge Exhibition Schedule: Yale Center for British Art, New Haven (09/14/17-12/03/17) The Fitzwilliam Museum, Cambridge (03/20/18-06/18/18)
Ceramics is one of the most vibrant and engaging fields of contemporary British art. This lavishly illustrated book reviews the work of twenty-two artists and celebrates their contribution to its rich landscape. Written from a collector's point of view, it explores what contemporary ceramic objects can mean, what emotions they evoke and how artists draw upon different facets of the art and crafts worlds in their work. A vital visual and critical resource, Contemporary British Ceramics showcases British ceramics as a compelling interdisciplinary practice, attuned to the contemporary world. Featuring more than 280 images, it encourages readers to look beneath the surface, to discover the vibrant contribution that British ceramics makes to the broad field of contemporary art.
This new edition of Eric Yates-Owen and Robert Fournier's classic book on British studio potters' marks contains new and revised entries for many potters, with up-to-date information about the artists' styles, marks and addresses. Entries are arranged alphabetically, with each entry giving biographical data, information on the type of ceramics produced, the location of the pottery and dates indicating when marks have changed, as well as images of the different marks used. Three useful indexes enable the reader to search by mark rather than maker, in various categories such as creatures, monograms and signs. Revised by expert collector James Hazlewood, British Studio Potters' Marks, third edition, is the essential reference guide for collectors of British studio pottery.
Pottery has been around since the Neolithic and, as one of the most versatile and universal products created by man, it has formed the backbone of archaeological interpretation and dating for many years. This introductory guide to the identification of basic pottery types found across Britain from the Neolithic to the 19th century shows you how to differentiate between Beaker and Black Burnished wares. how to tell your Samian from your slipwares, Belgic wares from Barbatine jugs. With lots of illustrations and photographs, as well as background information on production and decorative techniques, terminology and discussion of how pottery enters the archaeological record, this is a valuable reference book.