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The Contemporary Art Gallery
Everyone who looks at contemporary art is familiar with galleries. But visual features of these mysterious temples tend to be taken for granted. The basic purpose of this book is to enliven the reader’s latent knowledge of galleries, including architectural motifs, the intended impression that is conveyed to the visitor, and human interactions within them. The contemporary art world system includes artists’ studios, art galleries, homes of collec-tors and public art museums. To comprehend art, one needs to understand these settings and how it travels through them. The contemporary art gallery is a store where luxury goods are sold. What distinguishes it from stores selling other luxuries...
Volume One
"The work features over 280 works by more than 170 Australian artists drawn from a period of acquisitions which began with the consitution of the MCA in May 1989."--p. 17.
Doug Aitken
Art is one of the tools we have to sculpt time and create experiences that are highly concentrated, or open and infinite. - Doug Aitken American artist Doug Aitken is internationally recognised for his ambitious practice that incorporates objects, installations, photographs and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Aitken has realised museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean's surface. This beautifully designed book encompasses the breadth of Aitken's artistic practice and is produced on the occasion of his survey at the Museum of Contemporary Art (MCA) Australia. Edited by chief curator Rachel Kent, it features a series of in-depth interviews that provide fascinating insights into Aitken's creative thinking and his wider engagement with the creative communities around him; and a series of image plates documenting his acclaimed museum works, landscape interventions and live happenings. Informative and visually compelling, it is sure to be a favourite among Aitken's collectors, as well as those interested in contemporary art.
Art Power
A new book by Boris Groys acknowledges the problem and potential of art's complex relationship to power. Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways—as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the ...
Reservation X
Catalogue of an exhibition originally held in the First People's Hall of the Canadian Museum of Civilization, curated by Gerald McMaster.
