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An extensive, illustrated bibliography for the Hindu god Śiva in the arts of South and Southeast Asia, offering detailed indices and easy access to resource repositories.
This book explores one of the most explicit and sophisticated theoretical formulations of tantric yoga. It explains Abhinavagupta's teaching about the nature of ultimate reality, about the methods for experiencing this ultimate reality, and about the nature of the state of realization, a condition of embodied enlightenment. The author uncovers the conceptual matrix surrounding the practices of the Kaula lineage of Kashmir Shaivism. The primary textual basis for the book is provided by Abhinavagupta's Parātrīśikā-laghuvṛtti, a short meditation manual that centers on the symbolism of the Heart-mantra, SAUḤ.
The brochur touches upon all the principal precepts of Tantra, especially the esotric practices. an account of the Sakta pithas has also been given in the background of the ethnological divisions of India. New light has been thrown on the origin of bija, mantra and gayatrt occurring in Tantric works. The study may be regarded as a new one, since scientific discussion of Tantricism has not yet progressed so far satisfactorily, especially from the point of view of the Tantrics themselves.
Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.
Centred around culture this book deals with a diversity of subjects related to religion, social and economic history, epigraphy, art, architecture, plants and herbs, Roman, coins and Greek Myths, questions of national integration, social justice, untouchability and orthodoxy and the heated issue of Ayodhya.
This constitues the first volume of the series. It indicates the scope of the project and provides a list of sources which will be surveyed in the sebsequent volumes, as well as provide a guide to secondary literature for further study of Indian Philosophy. It lists in relative chronological order, Sanskrit and Tamil works. All known editions and translations into European languages are cited; where puplished versions of the text are not known a guide to the location of manuscripts of the work is provided.
One of the most fascinating episode in the religious history of Southern India is the rise of the Virasaiva movement. These heroic followers of Siva-also called Lingayatas-are characterized by a unique combination of intense devotion and social reformation. The movement arose in the twelfth century under the charismatic leadership of Basava. Men and women from every backgroud, highcaste as well as untouchable, joined the experimental community of the Virasaivas. They has their own sacred literature in the form of short poems in the vernacular language of the region: Kannada.
The Aulikaras were the rulers of western Malwa (the northwest of Central India) in the heyday of the Imperial Guptas in the fifth century CE, and rose briefly to sovereignty at the beginning of the sixth century before disappearing from the spotlight of history. This book gathers all the epigraphic evidence pertaining to this dynasty, meticulously editing and translating the inscriptions and analysing their content and its implications.
Highlights education, social, political, legal rights of woman as found in Indian tradition starting from the Vedic period to modern times. An endeavour has been done to show the status of woman in the eye of the contemporary thinkers like Gandhiji, Sri Aurobindo and Rabindranath and their interpretation of the tradition on woman has been illumined
Despite being one of the most influential forms of Japanese Buddhism, the Pure Land tradition, and notably its impact on the development of Japanese cultural history, has often been overlooked outside Japan. Taking into account recent scholarship on orientalism and occidentalism, this book, written from the perspective of the Study of Religions, provides an analysis of the impact that the Pure Land tradition, in particular Shin Buddhism, has exerted on mainstream forms of artistic expression (especially creative arts, literature and the tea ceremony) in modern and contemporary Japan.