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Weapons and Tools in Rock Art
Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, cha...
Heraldry for the Dead
In the late 1800s, archaeologists began discovering engraved stone plaques in Neolithic (3500-2500 BC) graves in southern Portugal and Spain. About the size of one's palm, usually made of slate, and incised with geometric or, more rarely, zoomorphic and anthropomorphic designs, these plaques have mystified generations of researchers. What do their symbols signify? How were the plaques produced? Were they worn during an individual's lifetime, or only made at the time of their death? Why, indeed, were the plaques made at all? Employing an eclectic range of theoretical and methodological lenses, Katina Lillios surveys all that is currently known about the Iberian engraved stone plaques and advances her own carefully considered hypotheses about their manufacture and meanings. After analyzing data on the plaques' workmanship and distribution, she builds a convincing case that the majority of the Iberian plaques were genealogical records of the dead that served as durable markers of regional and local group identities. Such records, she argues, would have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian Late Neolithic.
"El hombre fósil," 80 años después
Con ocasión del cincuentenario de la muerte de Hugo Obermaier (Ratisbona, 1877 - Friburgo, 1946) la Universidad de Cantabria, La Fundación Marcelino Botín y el Institute for Prehistoric Investigations han decidido editar un volumen homenaje que evidencie la trayectoria y la vigencia de su aportación científica. Aportación que, en su mayor parte, se sintetiza en su obra El hombre fósil. Original- mente publicada en España por la Comisión de investigaciones Paleontológicas y Prehistóricas, donde conoció sendas ediciones en 1916 y 1925, y posteriormente traducida a varios idiomas, fue durante décadas referencia obligada de consulta y estudio para varias generaciones de cuaternaristas.
Prehistoric Art as Prehistoric Culture
The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.
Rock Art Studies: News of the World VI
Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions.
Arte, pensamiento simbólico y modos de vida en la Prehistoria
El libro adentra en el campo más actual de la Arqueología Prehistórica gracias a su multidisciplinar acercamiento metodológico. Con ese fin, la obra aparece estructurada en cinco grandes bloques. Por un lado, el primero de ellos se centra en el análisis del pensamiento simbólico, con especial atención al estudio del arte prehistórico de la península ibérica y el suroeste francés, mientras que el segundo bloque se detiene en el estudio de la diversidad de la cultura material adoptada por los grupos de cazadores-recolectores desde el norte de África hasta Irán. En el tercer bloque se profundiza en el territorio de las prácticas funerarias y el tratamiento de la muerte en el Mesol...
The Megalithic Architectures of Europe
Megalithic monuments are among the most striking remains of the Neolithic period of northern and western Europe and are scattered across landscapes from Pomerania to Portugal. Antiquarians and archaeologists early recognized the family resemblance of the different groups of tombs, attributing them to maritime peoples moving along the western seaways. More recent research sees them rather as the product of established early farming communities in their individual regions. Yet the diversity of the tombs, their chronologies and their varied cultural contexts complicates any straightforward understanding of their origins and distribution. Megalithic Architectures provides new insight by focusing...
Megalithic Tombs in Western Iberia
Western Iberia has one of the richest inventories of Neolithic chambered tombs in Atlantic Europe, with particular concentrations in Galicia, northern Portugal and the Alentejo. Less well known is the major concentration of tombs along the Tagus valley, straddling the Portuguese-Spanish frontier. Within this cluster is the Anta da Lajinha, a small megalithic tomb in the hill-country north of the River Tagus. Badly damaged by forest fire and stone removal, it was the subject of joint British-Portuguese excavations in 2006-2008, accompanied by environmental investigations and OSL dating. This volume takes the recent excavations at Lajinha and the adjacent site of Cabeço dos Pendentes as the s...
Tumuli and Megaliths in Eurasia
Tumuli and megaliths mark the landscape of Eurasia and are rich in data, mystery, and legends. Books about them are often monographic or have a local range. This collection of essays highlights and brings together 74 authors from 16 countries, from Portugal to Japan and Indonesia. They offer a diversity of regional backgrounds, theoretical perspectives, and scientific approaches relevant to anyone working in history, archaeology, anthropology, and heritage. Densely illustrated and written in a way that is understandable to anyone, it is easily accessible to students, professors, researchers, and cultural or heritage managers. It will also attract anyone interested in past cultures, early religions, and ancient architecture. Its content makes it a mandatory book for the central and specialized libraries of any university, I&D centre, museum or visiting centre about this and other related issues.
El “oro rojo” en la Antigüedad.
A causa de su llamativo color rojo, el cinabrio o sulfuro de mercurio se empleó en diferentes contextos junto con otros pigmentos rojos desde etapas remontables al inicio de la Prehistoria Reciente. La aplicación de técnicas físico-químicas ha posibilitado su reconocimiento y, a partir de él, una lectura comparativa de su presencia en relación con la de otros pigmentos rojos tan abundantes en la naturaleza como las hematites, o su interacción con otros productos y materiales considerados de prestigio, abriendo interesantes interrogantes que iluminan lecturas en clave social, económica e ideológica. En época histórica, el conocimiento de su empleo, mucho tiempo dependiente de las ...
