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The Man Who Broke Michelangelo’s Nose
  • Language: en
  • Pages: 287

The Man Who Broke Michelangelo’s Nose

  • Categories: Art

Renaissance sculptor Pietro Torrigiano has long held a place in the public imagination as the man who broke Michelangelo’s nose. Indeed, he is known more for that story than for his impressive prowess as an artist. This engagingly written and deeply researched study by Felipe Pereda, a leading expert in the field, teases apart legend and history and reconstructs Torrigiano’s work as an artist. Torrigiano was, in fact, one of the most fascinating characters of the sixteenth century. After fighting in the Italian wars under Cesare Borgia, the Florentine artist traveled across four countries, working for such patrons as Margaret of Austria in the Netherlands and the Tudors in England. Torig...

Мешовита грађа=Miscellanea 14 (1985)
  • Language: en
  • Pages: 137

Мешовита грађа=Miscellanea 14 (1985)

None

Corpo del diritto: Codice
  • Language: la
  • Pages: 1360

Corpo del diritto: Codice

  • Type: Book
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  • Published: 1860
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  • Publisher: Unknown

None

Transcription and translation
  • Language: en
  • Pages: 742

Transcription and translation

  • Type: Book
  • -
  • Published: 2009
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  • Publisher: Unknown

The first publication and translation into English of a manuscript by a fifteenth-century Venetian seaman, including treatises on shipbuilding, mathematics, astrology, and calendrical computation.

Giovanni di Francesco and the Master of Pratovecchio
  • Language: en
  • Pages: 78

Giovanni di Francesco and the Master of Pratovecchio

  • Categories: Art

The Getty Museum’s curator of paintings traces the provenance of the so-called Poggibonsi Altarpiece, one of the Museum’s fifteenth-century triptychs, attributing it to Giovanni di Francesco. He also discusses the possible identification of Giovanni as the Master of Pratovecchio and then catalogues works attributed to both painters that form part of other museum collections.

Slowly please, I'm in a hurry. Entrepreneur is cool!
  • Language: en
  • Pages: 213
The Archaeological Journal
  • Language: en
  • Pages: 528

The Archaeological Journal

  • Type: Book
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  • Published: 1894
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  • Publisher: Unknown

None

The Life of Luigi Giussani
  • Language: en
  • Pages: 1444

The Life of Luigi Giussani

Monsignor Luigi Giussani (1922–2005) was the founder of the Catholic lay movement Communion and Liberation in Italy, which has hundreds of thousands of adherents around the globe. In The Life of Luigi Giussani Alberto Savorana, who spent an important part of his life working and studying with Giussani, draws on many unpublished documents to recount who the priest was and how he lived. Giussani’s life story is particularly significant because it shares many of the same challenges, risks, and paths toward enlightenment that are described in his numerous and influential publications. Savorana demonstrates that the circumstances Giussani experienced and the people he encountered played a cru...

Second Italian Reader
  • Language: en
  • Pages: 221

Second Italian Reader

  • Type: Book
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  • Published: 2019-06-28
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  • Publisher: Audiolego

A private detective is following the girl he is in love with. A former air force pilot, he is discovering some sides in the human nature he can't deal with. Second Italian Reader makes use of the ALARM method to efficiently teach its reader Italian words, sentences and dialogues. Through this method, a person will be able to enhance his or her ability to remember the words that has been incorporated into consequent sentences from time to time. The book is equipped with the audio tracks. The address of the home page of the book on the Internet, where audio files are available for listening and downloading, is listed at the beginning of the book on the copyright page.

Orsanmichele
  • Language: en
  • Pages: 776

Orsanmichele

  • Type: Book
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  • Published: 2023-10-09
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  • Publisher: BRILL

This work provides a new narrative for Orsanmichele in the era before the Renaissance. It examines Orsanmichele from the mid-thirteenth century, as the piazza transformed into the city’s grain market. It considers the market’s tandem confraternity, with its stunning Madonnas over three successive loggias. It examines the grain market and confraternity from a social, economic, political, and artistic perspective. It provides extensive data on the Florentine grain trade, sales at the market, and the nexus between traders, political leaders, and the confraternity. The work suggests that developments at Orsanmichele during the medieval period formed the basis for the Renaissance structure.