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A groundbreaking new history of the origins and evolution of the Anglican liturgy which transforms understanding of the English Reformation.
Mercedes Benz is a dysfunctional love affair strung out over SMS, BBM, email and Facebook. Set in a barely credible 2011 London, Iphgenia Baals third novel, edited by cult author Stewart Home, describes a world where Bow E3s high-rise estates are no longer the Ends, awful art parties do little to dispel 1990s nostalgia and downward mobility proves to be a much more intoxicating drug than heroin. If the story told here isnt a tragedy, love is dead! Iphgenia Baal, a London-based writer (and formerly a journalist) has been published in Smoke: A London Peculiar, The White Review, and The Milan Review. She has also self-published two zines: The Gentle Art of Tramping and No! No! No! No! No! No! No! In 2011, Baal was nominated for the Granta Young British Novelist award for her first book, The Hardy Tree.
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A guide to fine art printing with an inkjet printer covers such topics as color management, printer selection, black and white printing, inks and paper, and printing applications.
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This is a study of international print networks developed across the English-speaking world over a significant part of the long nineteenth century. The first study of its kind, it draws on unique sources from Australasia, North America, South Africa, the British Isles, and Ireland, to explore how printers interacted and shared trade and cultural identities across international boundaries during the period 1830-1914. Morality, mobility, mobilisation, and solidarity were central to how compositors and print trade workers defined themselves during this period. These themes are addressed in case studies on roving printers, striking printers, and creative printers. The case studies explore the cultural values and trade skills transmitted and embedded by such actors, the global networks that enabled print workers to travel across continents in search of work and experience, the trade actions reliant on mobilization and information-sharing across the printing world, and the creative ideas that printers shared through such means as memoirs, poetry, prose, and trade news contributions to print trade journals and other public outlets.
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