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Drawing on her own experience of befriending a person suffering from a long-term mental health challenge, Priscilla Oh reflects on the meaning of care and friendship theologically. Using autoethnography, she goes beyond the personal experience and examines various issues surrounding mental health. Hospitable Witnessing candidly takes readers into the everyday life of being with a mentally ill person. There are emotional challenges and contingencies in sustaining friendship and caring for a person with a long-term mental health problem. Oh points out that those who care for a loved one during a long-term illness inevitably experience "burnout" resulting from the constant care requirements. Under such an enormous disruption, we need to be compassionate toward another's suffering and be willing to be present and available for them. This book suggests our need of one another and identifies three important Christian practices: caring as we are being made in the image of God, compassion as being present with the sufferer, and lament as to revitalize our faith and hope.
A groundbreaking look at marriage, one of the most basic and universal of all human institutions, which reveals the emotional, physical, economic, and sexual benefits that marriage brings to individuals and society as a whole. The Case for Marriage is a critically important intervention in the national debate about the future of family. Based on the authoritative research of family sociologist Linda J. Waite, journalist Maggie Gallagher, and a number of other scholars, this book’s findings dramatically contradict the anti-marriage myths that have become the common sense of most Americans. Today a broad consensus holds that marriage is a bad deal for women, that divorce is better for childr...
In 1916, a group of Korean farmers and their children gathered to watch a film depicting the enthronement of the Japanese emperor. For this screening, a unit of the colonial government’s news agency brought a projector and generator by train to their remote rural town. Before the formation of commercial moviegoing culture for colonial audiences in rural Korean towns, many films were sent to such towns and villages as propaganda. The colonial authorities, as well as later South Korean postcolonial state authorities, saw film as the most effective medium for disseminating their political messages. In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea was derived p...
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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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