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Imagination in Confinement
Roland, Mme; Capell-Lafarge, Marie; Steinheil, Marguerite; Huré, Anne; Sarrazin, Albertine.
Intolerable
A groundbreaking collection of writings by Michel Foucault and the Prisons Information Group documenting their efforts to expose France's inhumane treatment of prisoners Founded by Michel Foucault and others in 1970-71, the Prisons Information Group (GIP) circulated information about the inhumane conditions within the French prison system. Intolerable makes available for the first time in English a fully annotated compilation of materials produced by the GIP during its brief but influential existence, including an exclusive new interview with GIP member Hélène Cixous and writings by Gilles Deleuze and Jean Genet. These archival documents--public announcements, manifestos, reports, pamphlet...
Prisoner of Love
Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.
They Shall Not Have Me
The French painter Jean Hélion’s unique and deeply moving account of his experiences in Nazi prisoner-of-war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Hélion’s infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, “They shall not have me!” but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Hélion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured. In the deep humanity, humor, and unsentimental intelligence of his observations, we can recognize the artist whose long career included friendships with the likes of Mondrian, Giacometti, and Balthus, and an important role in shaping modern art movements. Hélion’s picture of almost two years without his art is a self-portrait of the artist as a man.
The Society of Prisoners
Very little has been written of the history of prisoners of war before the twentieth century, and Renaud Morieux seeks to correct this in this new history of war captivity in the eighteenth century, mining archives in Britain and France to take a fresh look at international relations through the histories of prisoners and host communities.
Last Letters
Drawing on a centuries-old file, this volume reproduces the last letters by prisoners of the French Revolution in the last few moments before their death, and sheds new light on this turbulent time
