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Andal
Ninth century Tamil poet and founding saint Andal is believed to have been found as a baby underneath a holy basil plant in the temple garden of Srivilliputhur. As a young woman she fell deeply in love with Lord Vishnu, composing fervent poems and songs in his honour and, according to custom, eventually marrying the god himself. The Autobiography of a Goddess is Andal's entire corpus, composed before her marriage to Vishnu, and it cements her status as the South Indian corollary to Mirabai, the saint and devotee of Sri Krishna. The collection includes Tiruppavai, a song still popular in congregational worship, thirty pasuram (stanzas) sung before Lord Vishnu, and the less-translated, rapturously erotic Nacchiyar Tirumoli. Priya Sarrukai Chabria and Ravi Shankar employ a radical method in this translation, breathing new life into this rich classical and spiritual verse by rendering Andal in a contemporary poetic idiom in English. Many of Andal's pieces are translated collaboratively; others individually and separately. The two approaches are brought together, presenting a richly layered reading of these much-loved classic Tamil poems and songs.
Sing of Life
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Not Springtime Yet
A new collection of verse from one of India's finest contemporary poets.'The poems are passionate, sensuous and intelligent, full of energy and enterprise. They hold their dramatic shapes with grace and establish her as a poet to read and return to time and again.' - George Szirtes, T.S. Eliot Memorial Poetry Prize Winner, 2004 '...a highly competent writer aware of form, of poetic conventions in many different language traditions, with a feeling for cadence, lineation, image, compression and sound...a pleasure to read.' - Bruce King, The Little Magazine 'Unlike many of the Indian English poets of the present, Priya doesn't make her poems obtuse; being also a novelist, she follows a loose narrative pattern in her series of poems.' - The Hindu '...swoops and dives between space and time...her poems speak for themselves, to the reader and to each other, deliberately and clearly.' - Dr Arshia Sattar 'Full of striking imagery, the form of these poems allows the passion to be expressed in their fullness, without it becoming an outpouring of emotions...shows what a contemporary poet can do with a traditional form.' - The Book Review.
Generation 14
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Clone
A revolutionary take on the classic dystopian science fiction novel, Clone inaugurates a new kind of writing in India. Priya Sarukkai Chabria weaves the tale of a fourteenth-generation clone in twenty-fourth-century India who struggles against imposed amnesia and sexual taboos in a species-depleted world. With resonant and allusive prose, Chabria takes us along as the clone hesitantly navigates through a world rendered unfamiliar by her expanding consciousness. This slow transformation is mirrored in the way both she and her world appear to the reader. The necessary questions Chabria raises revolve around a shared humanity, the necessity of plurality of expression, the wonder of love, and the splendor of difference. Clone's adventurous forays into vastly different times, spaces, and consciousness--animal, human, and post-human--build a poetic story about compassion and memory in the midst of all that is grotesque.
Multispecies Cities
Cities are alive, shared by humans and animals, insects and plants, landforms and machines. What might city ecosystems look like in the future if we strive for multispecies justice in our urban settings? In these more-than-human stories, twenty-four authors investigate humanity's relationship with the rest of the natural world, placing characters in situations where humans have to look beyond their own needs and interests. A quirky eco-businessman sees broader applications for a high school science fair project. A bad date in Hawaii takes an unexpected turn when the couple stumbles upon some confused sea turtle hatchlings. A genetically-enhanced supersoldier struggles to find new purpose in a peaceful Tokyo. A community service punishment in Singapore leads to unexpected friendships across age and species. A boy and a mammoth trek across Asia in search of kin. A Tamil child learns the language of the stars. Set primarily in the Asia-Pacific, these stories engage with the serious issues of justice, inclusion, and sustainability that affect the region, while offering optimistic visions of tomorrow's urban spaces.
Science Fiction and Indian Women Writers
Science fiction, as a literature of fantasy, goes beyond the mundane to ask the question: what if the world were different from the way it is? It often challenges the real, builds on imagination, places no limits on human capacities, and encourages readers to think outside their social and cultural conditioning. This book presents a systematic study of Indian women’s science fiction. It offers a critical analysis of the works of four female Indian writers of science fiction: Rokeya Sakhawat Hossain, Manjula Padmanabhan, Priya Sarukkai Chabria and Vandana Singh. The author considers not only the evolution of science fiction writing in India, but also discusses the use of innovations and uni...
Breaking the Bow
A long time ago, a young prince, the heir to a great South-Asian kingdom, wielded Siva’s mighty bow and won the heart of a brave princess. The story of what happened next to the married couple—the Ramayana—told and re-told countless times over the centuries, begins where most stories end. The twenty-five stories in Breaking the Bow take a similar courageous leap into the unknown. Inspired by the Ramayana and its cultural importance, the anthology dares to imagine new worlds. Stories by some of the best writers in contemporary south-Asian fiction, including Abha Dawesar, Rana Dasgupta, Priya Sarukkai Chabria, Tabish Khair, Kuzhali Manickavel, Mary Anne Mohanraj and Manjula Padmanabhan. Stories from India, Sri Lanka and Thailand, but also Holland, Israel, the United Kingdom and the United States. Published by Zubaan.
Bombay
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Indian Genre Fiction
This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions. ...
