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Death in Hamburg
"A tremendous book, the biography of a city which charts the multifarious pathways from bacilli to burgomaster." -Roy Porter, London Review of Books Why were nearly 10,000 people killed in six weeks in Hamburg, while most of Europe was left almost unscathed? As Richard J. Evans explains, it was largely because the town was a “free city” within Germany that was governed by the “English” ideals of laissez-faire. The absence of an effective public-health policy combined with ill-founded medical theories and the miserable living conditions of the poor to create a scene ripe for tragedy. The story of the “cholera years” is, in Richard Evans’s hands, tragically revealing of the age’s social inequalities and governmental pitilessness and incompetence; it also offers disquieting parallels with the world’s public-health landscape today, including the current coronavirus crisis.
Grand-Guignol
The Théâtre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror. Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director. The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
In Defence of History
“A lucid, muscular, and often sly reflection” on the worth and purpose of historical scholarship by the award-winning author of The Third Reich Trilogy (Kirkus). In this volume, the renowned historian Richard J. Evans offers a fervent and deeply insightful defense of his craft and its importance to civilization. At a time when fact and historical truth are under unprecedented assault, Evans shows us why history is necessary. Taking us into the historians’ workshop, he offers a firsthand look at how good history gets written. In staunch opposition to the wilder claims of postmodern historians, Evans thoroughly dismantles the notion that a realistic grasp of history is impossible to attain. He then goes on to explain the deadly political dangers of losing a historical perspective on the way we live our lives. In the tradition of E.H. Carr’s What Is History? and G.R. Elton’s The Practice of History, Evans’ In Defense of History delivers “a model of lucid and intelligent historiographical analysis” (The Guardian, UK).
The Third Reich in History and Memory
Seventy years after its demise, historian Richard J. Evans charts the ways our understanding of the Third Reich has changed.
Principles of Regeneration
Principles of Regeneration focuses on the principles, methodologies, and changes involved in the process of regeneration. The book first underscores the nature of the nucleus in Acetabularia, enzyme effects, role of ribonucleic acid in morphogenesis, and functions of the stentor. The text then takes a look at the turnover in hydroids and flatworms and regeneration blastema. Discussions focus on regeneration in hydra, interstitial cells, colonial hydroids, neoblasts, and morphogenetic fields. The publication surveys segmental addition in annelids and molting, metamorphosis, and regeneration in arthropods. The termination of regeneration, importance of nerves, morphogenesis, histogenesis of the regenerate, and role of the nerves are discussed. The manuscript also examines regeneration in fishes, amphibian limb, horns and antlers, and heads and tails. The manuscript is a dependable source of data for students of developmental biology, anatomy, and evolution, as well as teachers and researchers in biology and medicine.
Good Strategy/Bad Strategy
When Richard Rumelt's Good Strategy/Bad Strategy was published in 2011, it immediately struck a chord, calling out as bad strategy the mish-mash of pop culture, motivational slogans and business buzz speak so often and misleadingly masquerading as the real thing. Since then, his original and pragmatic ideas have won fans around the world and continue to help readers to recognise and avoid the elements of bad strategy and adopt good, action-oriented strategies that honestly acknowledge the challenges being faced and offer straightforward approaches to overcoming them. Strategy should not be equated with ambition, leadership, vision or planning; rather, it is coherent action backed by an argument. For Rumelt, the heart of good strategy is insight into the hidden power in any situation, and into an appropriate response - whether launching a new product, fighting a war or putting a man on the moon. Drawing on examples of the good and the bad from across all sectors and all ages, he shows how this insight can be cultivated with a wide variety of tools that lead to better thinking and better strategy, strategy that cuts through the hype and gets results.
Jack Clayton
A personal and fascinating account of the career and achievement of an important, much-loved director; Jack Clayton.
Grand-Guignolesque
While the infamous Théâtre du Grand-Guignol in Paris closed its doors in 1962, the particular form of horror theatre it spawned lives on and has, moreover, witnessed something of a resurgence over the past twenty years. During its heyday it inspired many imitators, though none quite as successful as the Montmartre-based original. In more recent times, new Grand-Guignol companies the world over have emerged to reimagine the form for a new generation of audiences. This book, the fourth volume in University of Exeter Press’s series on the Grand-Guignol by Richard J. Hand and Michael Wilson, examines the ongoing influence and legacy of the Théâtre du Grand-Guignol through an appraisal of i...
