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A tradition of building architectural monuments to commemorate national heroes has developed as a distinctive feature of the Scottish built environment. This book examines this architectural culture by studying a prominent selection of buildings, such as the Burns monuments in Alloway, Edinburgh and Kilmarnock, the Edinburgh Scott Monument, the Glenfinnan Monument and the Wallace Monument in Stirling. By raising awareness of this rich architectural and social heritage, while analysing and interpreting the buildings in their historical context, this book makes an exciting and original scholarly contribution to the current debates on identity and nationality taking place in Scotland and the wider UK.
Why was it that, across Scotland over the last two and a half centuries, architectural monuments were raised to national heroes? Were hero buildings commissioned as manifestations of certain social beliefs, or as a built environmental form of social advocacy? And if so, then how and why were social aims and intentions translated into architectural form, and how effective were they? A tradition of building architectural monuments to commemorate national heroes developed as a distinctive feature of the Scottish built environment. As concrete manifestations of powerful social and political currents of thought and opinion, these hero buildings make important statements about identity, the nation...
The Oxford Handbook of Robert Burns treats the extensive writing of and culture surrounding Scotland's national 'bard'. Robert Burns (1759-96) was a producer of lyrical verse, satirical poetry, in English and Scots, a song-writer and song-collector, a writer of bawdry, journals, commonplace books and correspondence. Sculpting his own image, his untutored rusticity was a sincere persona as much as it was not entirely accurate. Burns was an antiquarian, national patriot, pioneer of what today we would call 'folk culture', and a man of the Enlightenment and Romanticism. The Handbook considers Burns's reception in his own time and beyond, extending to his iconic status as a world-writer. Burns w...
Glasgow is not just famous for its humor, its shipyards, and its bold Victorian architecture, built in the days when it was the "second city of the Empire." It's also renowned as the home in the UK of the failed experiment with modernist architecture in the 1950s and 1960s--where those cleared from 19th century slums of the Gorbals and Govan were housed in vast tower block estates far from the city center, devoid of facilities and a sense of community. Initially a huge improvement on existing living conditions, a lack of investment and poor build quality meant these bold visions of the future soon fell into neglect. Here acclaimed photographer Chris Leslie and author and Professor of Architecture at Glasgow School of Art Johnny Rodger examine Glasgow's process of demolishing these contentious estates. For some they are blights on the city's international reputation, for some an important attempt to redefine the way we live, and for others they were home. This is a beautiful, highly visual book that is both fascinating and moving in equal measure.
Any level of study within literature and culture requires an engagement with a wider scope of themes, issues and discourses, and these debates are often centred around key 'essays'. This book examines a wide range of these essays on topics such as posthumanism, racism, feminism, necropolitics, Anthropocene, gender, global north/south, neo and de-colonialism, universals, borders and limits, interspecies relations, blackness, cosmopolitics, epistemology, addiction and so on. The essays selected represent scholars from a range of disciplines, ethnicities, nationalities, and genders and offer readings relevant across the arts and humanities. Each chapter explains why the essay is of vital importance in our contemporary era, introduces and explains the key themes and theories with which it engages, demystifies any complex content and positions it within wider current debates. Covering all of the essential debates that students and academics must engage with, alongside a close analysis and critique of contemporary seminal essays in the debate, this book will be an essential read for students of literature and culture across the arts and humanities.
While recent scholarship has usefully positioned Burns within the context of British Romanticism as a spokesperson of Scottish national identity, Robert Burns and Transatlantic Culture considers Burns's impact in the United States, Canada, and South America, where he has served variously as a site of cultural memory and of creative negotiation. Ambitious in its scope, the volume is divided into five sections that explore: transatlantic concerns in Burns's own work, Burns's early publication in North America, Burns's reception in the Americas, Burns's creation as a site of cultural memory, and extra-literary remediations of Burns, including contemporary digital representations. By tracing the transatlantic modulations of the poet and songwriter and his works, Robert Burns and Transatlantic Culture sheds new light on the circuits connecting Scotland and Britain with the evolving cultures of the Americas from the late eighteenth century to the present.
This book looks at the architecture of the courts in Scotland and the importance of these civic spaces. Given the importance of courts to the legal experience it starts by exploring why scholars have been so reticent in examining spaces in which the administration of justice takes place. It notes the major changes already unfolding in Scotland and puts these into a historical and cultural context. The authors trace the emergence of the notion of the dedicated courtroom space in 19th century Scotland and the ways in which the courtroom setting affected the exercise of power through law. They show what factors led to the adoption of different architectural styles. They examine the changes in t...
Political Animal draws on the animal fable of both the Indian and European traditions to make an existential examination of the bestial and instinctual sides of our political and civic life in word and image.Prabhakar Pachpute's artworks are inspired by the work of writer Johnny Rodger, who has been experimenting with a type of modern prose-poem fable in order to come at the question of the 'contemporary' through the angle of literary form.This collection of twenty modern fables takes the simple but fantastical elements of the conventional talking-animal fable and reworks them with political complexity in an engaged and discursive existential style which creates its own literary space. A long term collaboration between a curator/editor Viviana Checchia - an artist and a writer, the work examines how diverse formations of the collective - the mob, the pack, the crowd - pay into everyday behaviours.Accompanies am exhibition of the same name at Reid Corridor Gallery, Glasgow School of Art, 21 June - 4 August 2019.
'Nationalism' is an increasingly unpopular word. Few would apply the label of 'nationalist' to themselves, and fewer still to any part of our history before the 1700s. But then, where does it come from? And what does it mean for us today? With one eye on the present as he unpicks the past, Owen Dudley Edwards finds nationalism to be older than recorded history and broader than modern geography. Our Nations and Nationalisms traces the phenomena back as far as the Old Testament and the works of Homer and Virgil, through the attempts of Shakespeare and James VI & I to found the first British Union, and into the Celtic legends that helped form the identities held in the UK today. Taking wide-ranging examples from ancient to modern, from home and abroad, Dudley Edwards interrogates nationalism in action, asking what it really is and how it has impacted upon all of our lives, wherever we live or were born This demonised word, he argues, is a fact of human nature. It may take a variety of forms, but we are all, in some sense, 'nationalists'; it is incumbent upon each of us to find ways to use this fact in the interests of humanity, and not a single nation.
The Research Handbook on Law and Courts provides a systematic analysis of new work on courts as governing institutions. Authors consider how courts have taken on regulating fundamental categories of inclusion and exclusion, including citizenship rights. Courts’ centrality to governance is addressed in sections on judicial processes, sub-national courts, and political accountability, all analyzed in multiple legal/political systems. Other chapters turn to analyzing the worldwide push for diversity in staffing courts. Finally, the digitization of records changes both court processes and studying courts. Authors included in the Handbook discuss theoretical, empirical and methodological approaches to studying courts as governing institutions. They also identify promising areas of future research.