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Max Howell was an international rugby player for Australia (the Wallabies) who played 32 times for Australia and retired at 20 years of age. He was from a very poor home and concluded that he had to go to University if he wished to get ahead. This autobiography is the struggle of an impoverished lad in search of a pupose in life. He became the first Australian to get a doctorate degree in physical education/ sport science/ human movement studies.He was adjudged at Berkeley to be the most outstanding athlete in all the so-called minor sports, despite some having medals from the Olympics and others being national champions.Dr Howell was hired at the University of British Columbia, began the fi...
There are a considerable number of books on the art of the convicts, so Convicts & Art has been covered reasonably well but art is only once facet of the arts that has been examined to any extent. This book concerns itself with Convicts & the Arts. This book, then, endeavors to look at the convicts’ contribution to the arts, and demonstrates without doubt that the convicts made a significantly broader contribution to the culture of Australia than previously thought. There is a common misconception that all convicts were immediately institutionalised in a cell, and convict culture was solely a prison culture. It needs reinforcing that when the First Fleet arrived there were no prisons in Au...
This tribute to Professor J. A. (Tony) Mangan is well-deserved. Professor Mangan is a path-breaking scholar. Mangan's impact is measurable in the rarest of ways: institution-building. Under his leadership, a globally situated team has opened a new relationship between sport and the academy and I recommend Manufacturing Masculinity: The Mangan Oeuvre -- Global Reflections on J.A. Mangan's Studies of Masculinity, Imperialism and Militarism as, yet again, it offers a unique consideration of the relationship between sport and academy. Professor John D. Kelly - University of Chicago Professor Mangan has since the early 1980s been one of the foremost international scholars within his chosen field ...
The inside story of the lives of 25 of Australia's sporting greats, written by sports broadcaster, Peter Meares. His friendships have allowed him unprecedented access to their lives and the secrets of their success. Includes profiles on Greg Norman, Leigh Matthews, Greg Chappell, Pam Burridge, Margaret Court and David Campese.
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Fully illustrated profiles of the most legendary Australian rugby union players. Hardcover and jacket gift book which names a best of the best 15-strong line-up of Australian rugby union players. Each Immortal player named is profiled in a dedicated chapter with career stats and multiple action images. There is also a group of honourable mentions and an Immortals Wallaby side. Features 100 photographs and key statistics. The Immortals of Australian Rugby Union celebrates the greatest players to wear the green and gold for the Wallabies. It takes the Immortals concept made famous elsewhere in the sporting world and applies it to the 15-player game. Gordon Bray, the voice of rugby in Australia, chooses his XV Immortals, telling the remarkable stories behind pioneering and modern-day Wallabies.
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This book is about a poor boy who makes it through sport to the highest levels of academia.
The purpose of was to examine the evidence of sport in the so called "Golden Age" of ancient China, and to place that evidence in a cultural context. The particular theoretical approach was a structuralist and functionalist one, its basic assumption being that sport as a social institution is to be understood in terms of its relationship to other components in the system, and thus sport can be seen as reinforcing or supporting other dimensions of the system. A theoretical model proposed by Salter and Jones was utilized. When evidence of sports and the cultural components of the Salter and Jones model were subject to analysis, activities related to cultural identification were in the majority...
Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the ...