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Cuentos felinos 8
Cuentos felinos es una de las aventuras de la imaginación más fecundas de la historia reciente de la literatura del norte de Colombia. Confirma el carácter de los creadores de una región inquieta, irreverente, con la virtud de calzar sus propios zapatos y asistir a sus propias fiestas. Los autores congregados en esta nueva entrega, además de ser grandes narradores, figuran entre los más consumados exponentes del cuento en su país: género que para ellos no pareciera tener fronteras imposibles. Los lectores colombianos son privilegiados, aunque todavía lo ignoren y solo lo confirmen cuando en unos años recorran admirados y con fruición las espléndidas páginas de Cuentos felinos 7, un libro en la mejor línea de la literatura desinteresada, a la larga la llamada a prevalecer, a hacer historia.
José Rangel Cantú
None
A Fighting Chance
Seventeen-year-old Miguel Angel spends every minute after school at the Packing Shed, working out with the Alisal Boxing Club. He dreams of becoming a champion so he can get his mother and five siblings out of their cramped one-bedroom apartment in one of Salinas’ poorest barrios. But suddenly his life gets more complicated. The city is threatening to take the Packing Shed away from Coach, and without a place to train he won’t be able to avoid the gangbangers in his neighborhood. His childhood friend, Beto, has succumbed to the wiles of easy money and expensive cars, and Miguel Angel wonders if he’ll be able to resist his friend. Meanwhile, beautiful blonde Britney from Pebble Beach ha...
The Canción Cannibal Cabaret
Poetry. Latinx Studies. Native American Studies. Women's Studies. LGBTQIA Studies. Chicana Studies. Winner of a 2020 American Book Award in Oral Literature. THE CANCIÓN CANNIBAL CABARET & OTHER SONGS is a hybrid manuscript experimenting with poetry at the intersection of performance. As a text, it is a collection of post-apocalyptic prose poems and poem songs cannibalizing knowledge from before the fall of civilization. In performance, THE CANCIÓN CANNIBAL CABARET is a Xicana punk rock musical--part concept album, part radio play. Set in a not-so-distant dystopian future, La Madre Valiente, a refugee raised under the oppressive State, studies secretly to become the leader of a feminist revolution. Her emissaries, Las Hijas de la Madre, roam the land spreading her story, educating others, and galvanizing allies. Inspired by current issues of social injustice, this multidisciplinary musical performance piece is a refugee, people of color, feminist, and LGBTQ+ call to action.
Our Chávez
Primarily composed of interviews with Hugo Chávez's friends, relatives and associates, and with Chávez himself.
Shattered Pictures of Places and Cities in George Santayana's Autobiography
Shattered Pictures of Places and Cities se adentra por las páginas autobiográficas, filosóficas y narrativas más relevantes de George Santayana discurriendo por sus viajes y geografías físicas en paralelo a sus viajes y geografías morales. Es un intento de ir más allá de la reflexión entorno a los orígenes biográficos del filósofo; de ahí que se recupere una indagación sobre su habitar el lenguaje y el arte. Santayana reconsidera los fundamentos del arte de la memoria clásica en su autobiografía, para formular una nueva propuesta estética donde el arte y la vida se funden y se confunden, estimulándose recíprocamente. Hila una filosofía del viaje y del lugar, donde se privilegia una noción del habitar que ilumina nuestra condición de nómadas -en la vida y en el pensamiento-, y nuestra trágica estable inestabilidad en este mundo.
Embodied Collective Memory
The human body is not a given fact; it is not, as Descartes believed, a “machine made up of flesh and bones.” The body is acquired, achieved, and learned. It is thus full of mimetic and mnemonic implications. The body remembers, and it does so in collectively relevant ways. Gestures, corporeal and phonetic rhythms, affective idioms, and emotional styles — perceptual, sensorial, motoric, and affective schemata — are all largely learned in shared social contexts. These aspects of the embodied experience are often consigned to habit, to bodily automatisms, and to corporeal memories that reflect aspects of culture. But if the body reflects certain aspects of culture that press to become ...
