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The Daddies
The Daddies is a love letter to masculinity, a kaleidoscope of its pleasures and horrors. The question “Who’s your Daddy?” started showing up in mainstream cultural references during the 1990s. Those words can be spoken as a question, or a challenge, as a flirtation, a joke, or a threat. It’s all about inflection, intention, and who’s asking. Apparently, we have so much shared cultural meaning about “Daddy” the speakers and listeners can simply intuit meaning and proceed to laugh at the joke, or experience the shame, as appropriate. But who is Daddy in American culture? The Daddies aims to find out more than who – but how the process of knowing Daddy can prompt readers to know themselves and their society. This allegory about patriarchy unfolds as a kinky lesbian Daddy/girl love story. Daddy-ness is situated in all people, after all, and we each share responsibility for creating a fairer world. The Daddies can be used as a springboard for discussion in courses in sociology, gender and women's studies, cultural studies, sexuality studies and communication. As a work of fiction, The Daddies can also be enjoyed by general audiences.
English, Colonial, Modern and Maori
How and why do works make their way into a public art collection? Who decides what will be hung on the walls, placed on plinths, displayed in cases? These important, but seldom discussed, questions lie at the heart of this ‘cultural biography’ of the 70 years during which the Robert McDougall Art Gallery was Christchurch’s civic art gallery. The book explains how the collection came together, how it developed, and how the public, and artists and critics, reacted to it. The book is presented in three parts, each of which has its own introduction. It provides an analytical framework in detail and in context by defining terms and explaining particular, recurrent concepts. These include, a...
Close to Something Beautiful
Poetry and Prose
The Brahmo Year-book
None
Annual Report of the Registrar of Newspapers for India
Reports for 1958-1970 include catalogues of newspapers published in each state and Union Territory.
The Personal Is Political
In the wake of Donald J. Trump’s unprecedented victory and his administration’s multi-pronged attacks on an array of vulnerable populations, a diverse collection of scholars was asked to document the ways in which marginalized peoples have experienced the first years of Trump mayhem. The essays in this volume ask us to think through tough narratives of exclusion, exile, and pain. The challenge in this book is to represent the unrepresentable, to document in chilling detail how Trump, his allies in government, and his unshakeable base have weaponized the culture war and threatened the ideals of the Republic. This book invites us to experience the scarifying perspective of the marginalized Other, to remember to honor all our most human stories that, woven together, make up the collective ‘us’; the collective ‘U.S.’ The editors also hope this collection suggests a way forward, a way to defeat American nativism and a way to end the war on those of us who are, on this sad day, our nation’s public enemies.
