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Punk Fiction
  • Language: en
  • Pages: 284

Punk Fiction

  • Type: Book
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  • Published: 2009-04-06
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  • Publisher: Anova Books

Punk Fiction is an anthology of short stories, poems and illustrations submitted by an impressive line up of contributors. Each piece of work shares one unifying theme – everything included in this collection will be inspired by a punk rock song. The book will open with a foreword by former Smiths guitarist Johnny Marr. Contributors have been hand-picked from the generations that followed the punk revolution; those at the forefront of contemporary popular culture, who have been (and are still being) influenced by the movement, rather than punk’s original vanguard. Though they are drawn mainly from music, those involved also embrace all corners of the arts and include some of the most exc...

PUNKED
  • Language: de
  • Pages: 320

PUNKED

Der Geruch von Kunstnebel und Schweiß, dröhnende Bässe und besetzte Häuser – ein angepasstes bürgerliches Leben war für Bey, Bassistin einer Avantgarde-Punkband, früher undenkbar gewesen. Nach der Geburt ihres Sohnes wohnt sie jetzt am Rand von Amsterdam, umgeben von gutsituierten Eltern ohne spätjugendliche Exzesse. Als ein kalkweißes Kuvert sie erreicht, gerät ihr Alltag aus dem Takt: Ihr Ex-Freund Iggy ist gestorben. Bey fährt zur Beerdigung nach Berlin, wo sie in Iggys Nachlass eine Tonaufnahme findet, die sie an den Umständen seines Todes zweifeln lässt. Ihre Nachforschungen stoßen auf Widerstand beim Rest der Alt-Punks, und als Karina, ihre verschollen geglaubte Erzfein...

Fucked Up and Photocopied
  • Language: en
  • Pages: 237

Fucked Up and Photocopied

  • Categories: Art

'Fucked Up + Photocopied' is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new. Images were compiled out of whatever material could be found, often photocopied and, still warm, stapled to the nearest telephone pole to warn the world about next week's gig. One glance and you can sense the fury of live performances by bands such as Black Flag, the Dead Kennedys and The Minutemen, and, through the subtext the reader is exposed to the psyche of a generation of musicians stripped bare - The Germs, J.F.A, NOFX, X, The Circle Jerks, Devo, The Exploited, The Screamers, The Cramps, The Dils, The Avengers.

Punk Is Dead
  • Language: en
  • Pages: 336

Punk Is Dead

This original collection of insight, analysis and conversation charts the course of punk from its underground origins, when it was an un-formed and utterly alluring near-secret, through its rapid development. Punk is Dead: Modernity Killed Every Night takes in sex, style, politics and philosophy, filtered through punk experience, while believing in the ruins of memory, to explore a past whose essence is always elusive.

Hairstyles of the Damned (Punk Planet Books)
  • Language: en
  • Pages: 278

Hairstyles of the Damned (Punk Planet Books)

The debut novel from Akashic’s new imprint, Punk Planet Books. Also check out the smash hits How the Hula Girl Sings, Tender as Hellfire, and The Boy Detective Fails. “A funny, hard-rocking first-person tale of teenage angst and discovery.” —Booklist “Captures the loose, fun, recklessness of midwestern punk.” —MTV.com Hairstyles of the Damned is an honest, true-life depiction of growing up punk on Chicago’s south side: a study in the demons of racial intolerance, Catholic school conformism, and class repression. It is the story of the riotous exploits of Brian, a high school burnout, and his best friend, Gretchen, a punk rock girl fond of brawling. Based on the actual events surrounding a Chicago high school’s segregated prom, this work of fiction unflinchingly pursues the truth in discovering what it means to be your own person.

The Year's Work in the Punk Bookshelf, Or, Lusty Scripts
  • Language: en
  • Pages: 384

The Year's Work in the Punk Bookshelf, Or, Lusty Scripts

This is the story of the books punks read and why they read them. The Year's Work in the Punk Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture's literary history. In detailing the punk bookshelf, Schill contends that punk's literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks' favorite writers but generated the entire punk polemic.

Punk Sociology
  • Language: en
  • Pages: 130

Punk Sociology

  • Type: Book
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  • Published: 2014-01-06
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  • Publisher: Springer

This book explores the possibility of drawing upon a punk ethos to inspire and invigorate sociology. It uses punk to think creatively about what sociology is and how it might be conducted and aims to fire the sociological imaginations of sociologists at any stage of their careers, from new students to established professors.

Lessons in Taxidermy: A Compendium of Safety and Danger (Punk Planet Books)
  • Language: en
  • Pages: 172

Lessons in Taxidermy: A Compendium of Safety and Danger (Punk Planet Books)

A riveting tale of sickness and survival from the first female author on the Punk Planet Books imprint that brought you the indie hit Hairstyles of the Damned. “[One of] the reigning mother superiors of the crowd [is] Bee Lavender.” —Time Magazine Diagnosed with cancer at age twelve and perilously pregnant at eighteen, surviving surgeries and violent accidents: sometimes you can’t believe Bee Lavender is still alive; sometimes you think nothing could kill her. Lessons in Taxidermy is Lavender’s fierce and expressive search for truth and an elusive sense of safety. This autobiographical tale is stark and resolved, but strangely euphoric, tying together moments and memories into a frantic, delicate, and often transcendently funny account of anguish and confusion, pain and poverty, isolation and illusion. While staying conscious of the particulars of her circumstances, Lavender frames her life in the context of history, traveling, landscape, and freak show culture. Lessons in Taxidermy is apocryphal, troubling, cathartic, and important.

Pretty Vacant
  • Language: en
  • Pages: 289

Pretty Vacant

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

From the precursors of punk, through the famous Bill Grundy show when punk first hit the nation's consciousness to the modern-day heirs, such as Green Day and Busted, punk has evolved and taken over so many aspects of life that even banks now use punk lettering to appeal to their markets. In this brilliant account of punk, the authors have interviewed all the major figures to build up a complete portrait of a remarkable era of change in music and youth culture. Their story features Richard Branson, Malcolm McLaren, Vivienne Westwood, Tony Parsons and many more who took their early steps to fame and fortune around this time. Band members of The Clash, Stranglers, Sex Pistols and many others recall what happened, bringing their story to life with vivid anecdotes and telling detail. It is a book that no true fan of music can afford to be without, for this is the ultimate inside account of punk, told by those who really were there from the beginning.

Punk Now!!
  • Language: en

Punk Now!!

Punk Now!! brings together papers from the second incarnation of the Punk Scholars Network International Conference and Postgraduate Symposium, with contributions from revered academics and new voices alike in the field of punk studies. The collection ruminates on contemporary and non-Anglophone punk as well as its most anti-establishment tendencies. It exposes not only modern punk, but also punk at the margins: areas that have previously been poorly served in studies on the cultural phenomenon. By compiling these chapters, Matt Grimes and Mike Dines offer a critical contribution to a field that has been saturated with nostalgic and retrospective research. The range and depth of these chapters encapsulates the diverse nature of the punk subculture--and the adjacent academic study of punk--today.