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Collective Amnesia
Since its publication in April 2017, Collective Amnesia has taken the South African literary scene by storm. The book is in its twelfth print run and is prescribed for study at tertiary level in South African Universities and abroad. The collection is the recipient of the 2018 Glenna Luschei Prize for African Poetry, named 2017 book of the year by the City Press and one of the best books of 2017 by The Sunday Times and Quartz Africa. It is translated into Spanish (Flores Rara, 2019), German (Wunderhorn Publishing House, 2019), Danish (Rebel with a Cause, 2019), Dutch (Poeziecentrum, 2020), Swedish (Rámus förlag). Forthcoming translations: Portuguese (Editora Trinta Zero Nove), Italian (Arcipelago itaca) and French (éditions Lanskine). Collective Amnesia examines the intersection of politics, race, religion, relationships, sexuality, feminism, memory and more. The poems provoke institutions and systems of learning and interrogates what must be unlearned in society, academia, relationships, religion, and spaces of memory and forgetting.
We Have Everything We Need To Start Again
Press both feet to the ground. Place your hand on your heart. You are brave and capable. It will always be your time. An empowering and uplifting collection of poems from groundbreaking and award-winning poet Koleka Putuma, about figuring out who you are and embracing it. With words to affirm, this is the ideal companion to hold your hand while you navigate all the big questions, discoveries and transitions of young adulthood. The perfect gift for fans of Rupi Kaur, Nikita Gill and Elizabeth Acevedo.
No Easter Sunday For Queers
NO EASTER SUNDAY FOR QUEERS follows the (hate) (crime) (murder) love story of Napo and Mimi. The lovers, through the (spirit) (subconscious), Easter Sunday sermon, return on the anniversary of their (wedding) death (crucifixion) to make the (church) (pastor) (perpetrator) Father (reconcile) reckon with the present and the past and a (sacrifice) crucifixion he must account for. The alter is a cross and the subconscious a courtroom where the dead seek justice for a (an act) sin committed by their perpetrators. The (antagonist) protagonists cannot (any more) tell the past from the present and scripture from the truth. Every year, (through the visitations) on Easter Sunday the (pastor and his) church is made to remember.
Hullo, Bu-Bye, Koko, Come In
The title of the book is inspired by a South African phrase made famous by the legendary musician Brenda Fassie in her 1992 song, Istraight lendaba. Like the legend who inspired the book title and the song from which the name of this poetry collection was selected, Putuma wanted to build on the themes she explored in her first book, Collective Amnesia, and go straight to the heart of tackling the legacies of black femme erasure from society as well as in the arts. The success of Collective Amnesia, a bestseller that has sold over 6000 copies and been translated into eight languages around the world, saw Putuma perform for audiences across the continent as well as in Europe. “In writing Hul...
Rattling the Cage
Most South Africans have strong views on our past and present, often based on how we have been personally affected by history, and an understanding of the challenges that face us as a country. But how well-examined and solid are these positions? Have your views been properly thought through? Are you correctly informed? Do you even have the facts straight? Rattling the Cage takes the reader on an informed tour of the South African reality: from the highs and lows, the successes and failures, FW de Klerk’s gaffes to Fees Must Fall, the Oscar Pistorius trial, the 2010 FIFA World Cup, triple BEE, global warming, the Covid-19 pandemic, gay rights in Africa, and veganism. Among the questions Mee...
No Easter Sunday for Queers
NO EASTER SUNDAY FOR QUEERS follows the (hate) (crime) (murder) love story of Napo and Mimi. The lovers, through the (spirit) (subconscious), Easter Sunday sermon, return on the anniversary of their (wedding) death (crucifixion) to make the (church) (pastor) (perpetrator) Father (reconcile) reckon with the present and the past and a (sacrifice) crucifixion he must account for. The alter is a cross and the subconscious a courtroom where the dead seek justice for a (an act) sin committed by their perpetrators. The (antagonist) protagonists cannot (any more) tell the past from the present and scripture from the truth. Every year, (through the visitations) on Easter Sunday the (pastor and his) church is made to remember.
Like Water is for Fish
The Soul City and Soul Buddyz series are memorable for the way in which they integrated health topics into compelling storylines on TV, radio and in print, creating stories so popular that they entertained and informed millions of people. And the Heartlines’ ‘What’s Your Story?’ programme and films such as Beyond the River, continue to provide witness to the transformative power of story. As a young boy, Garth Japhet found his life radically shaped by the Jungle Doctor series of books. The stories so enthralled him that, against all advice, he set his heart on medicine. He could see his future – with a backdrop of savannas, golden sunsets, adventure and accolades – as a romantic ...
Being a Black Springbok
Thando Manana was the third black African player to don a Springbok jersey after unification in 1992, when he made his debut in 2000 in a tour game against Argentina A. His route to the top of the game was unpredictable and unusual. From his humble beginnings in the township of New Brighton, Port Elizabeth, Thando grew to become one of the grittiest loose-forwards of South African rugby, despite only starting the game at the age of 16. His rise through rugby ranks, while earning a reputation as a tough-tackling lock and later open side flanker, was astonishingly rapid, especially for a player of colour at the time. Within two years of picking up a rugby ball, he represented Eastern Province ...
SLAY
“Gripping and timely.” —People “The YA debut we’re most excited for this year.” —Entertainment Weekly “A book that knocks you off your feet while dropping the kind of knowledge that’ll keep you down for the count. Prepare to BE slain.” —Nic Stone, New York Times bestselling author of Dear Martin and Odd One Out Ready Player One meets The Hate U Give in this dynamite debut novel that follows a fierce teen game developer as she battles a real-life troll intent on ruining the Black Panther–inspired video game she created and the safe community it represents for Black gamers. By day, seventeen-year-old Kiera Johnson is an honors student, a math tutor, and one of the only ...
My Own Liberator
In My Own Liberator, Dikgang Moseneke pays homage to the many people and places that have helped to define and shape him. In tracing his ancestry, the influence on both his maternal and paternal sides is evident in the values they imbued in their children – the importance of family, the value of hard work and education, an uncompromising moral code, compassion for those less fortunate and unflinching refusal to accept an unjust political regime or acknowledge its oppressive laws. As a young activist in the Pan-Africanist Congress, at the tender age of fifteen, Moseneke was arrested, detained and, in 1963, sentenced to ten years on Robben Island for participating in anti-apartheid activitie...
