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Artisans Abroad
Between 1815 and 1870, when European industrialisation was in its infancy and Britain enjoyed a technological lead, thousands of British workers emigrated to the continent. They played a key role in several sectors, like textiles, iron, mechanics, and the railways. These men and women thereby contributed significantly to the industrial take-off in continental Europe. Artisans Abroad examines the lives and trajectories of these workers who emigrated from manufacturing centres in Britain to France, Belgium, Germany, and other countries, considering their mobilities, their culture, their politics, and their relations with the local populations. Fabrice Bensimon reminds us that the British economy was not just oriented towards the Empire and the USA, but also towards the continent, long before the European Union and Brexit, and shows the critical role played by migrant workers in the Industrial Revolution. Artisans Abroad is the first social and cultural history of this forgotten migration.
Revolutionary World
The first truly global history of revolutions and revolutionary waves in the modern age, from Atlantic Revolutions to Arab Spring.
The Paris Commune
The Paris Commune, France's revolutionary civil war, rocked the nineteenth century and shaped the twentieth. A pivotal moment in history, it is the linchpin between revolutionary pasts and futures and as the crucible allowing alternate possibilities. Upending hierarchies, the Commune became a touchstone for subsequent revolutionary and radical social movements.
Visualizing Violence in Francophone Cultures
Visualizing Violence in Francophone Cultures brings together two complex and powerful loci of meaning: violence and the visual. As such, it offers a comprehensive overview from which one can gain a better understanding of the complexity of the visual rhetoric of violence. The visual representations of violence explored in this volume include both fictional works, including, for example, narrative films, graphic novels, and theatre, and non-fictional genres, such as news media and cultural artifacts. This volume’s strength is also grounded in its interdisciplinary approach; by bringing together scholars from a variety of academic fields to examine a broad range of visual artifacts, such as ...
The Cambridge History of Socialism
This volume describes the various movements and thinkers who wanted social change without state intervention. It covers cases in Europe, the Americas, Africa and Asia. The first part discusses early egalitarian experiments and ideologies in Asia, Europe and the Islamic world, and then moves to early socialist thinkers in Britain, France, and Germany. The second part deals with the rise of the two main currents in socialist movements after 1848: anarchism in its multiple varieties, and Marxism. It also pays attention to organisational forms, including the International Working Men's Association (later called the First International); and it then follows the further development of anarchism and its 'proletarian' sibling, revolutionary syndicalism – its rise and decline from the 1870s until the 1940s on different continents. The volume concludes with critical essays on anarchist transnationalism and the recent revival of anarchism and syndicalism in several parts of the world.
Peopling for Profit in Imperial Brazil
Peopling for Profit provides a comprehensive history of migration to nineteenth-century imperial Brazil. Rather than focus on Brazilian slavery or the mass immigration of the end of the century, José Juan Pérez Meléndez examines the orchestrated efforts of migrant recruitment, transport to, and settlement in post-independence Brazil. The book explores Brazil's connections to global colonization drives and migratory movements, unveiling how the Brazilian Empire's engagement with privately run colonization models from overseas crucially informed the domestic sphere. It further reveals that the rise of a for-profit colonization model indelibly shaped Brazilian peopling processes and governance by creating a feedback loop between migration management and government formation. Pérez Meléndez sheds new light on how directed migrations and the business of colonization shaped Brazilian demography as well as enduring social, racial, and class inequalities. This title is part of the Flip it Open programme and may also be available Open Access. Check our website Cambridge Core for details.
What Nostalgia Was
In What Nostalgia Was, historian Thomas Dodman traces the history of clinical "nostalgia" from when it was first coined in 1688 to describe deadly homesickness until the late nineteenth century, when it morphed into the benign yearning for a lost past we are all familiar with today. Dodman explores how people, both doctors and sufferers, understood nostalgia in late seventeenth-century Swiss cantons (where the first cases were reported) to the Napoleonic wars and to the French colonization of North Africa in the latter 1800s. A work of transnational scope over the longue duree, the book is an intellectual biography of a "transient mental illness" that was successively reframed according to prevailing notions of medicine, romanticism, and climatic and racial determinism. At the same time, Dodman adopts an ethnographic sensitivity to understand the everyday experience of living with nostalgia. In so doing, he explains why nostalgia was such a compelling diagnosis for war neuroses and generalized socioemotional disembeddedness at the dawn of the capitalist era and how it can be understood as a powerful bellwether of the psychological effects of living in the modern age.
Means and Ends
An expansive and accessible account of anarchism as a theory of practice. A new, in-depth look at the revolutionary strategy of anarchism in Europe and the United States between 1868 and 1939. Zoe Baker, creator of a popular Youtube series on radical history and political theory, brings her trademark clarity and accessibility to this debut book. Cutting through misperceptions and historical inaccuracies, she shows how the reasons anarchists gave for supporting or opposing particular strategies were grounded in a specific theoretical framework—a theory of practice. The consistent and coherent heart of anarchism, Baker shows, is the understanding that, as people engage in activity—politica...
Adab and Modernity
Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" (al-tamaddun) soon became a leitmotiv. A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores (akhlāq). Still, humanism, poetry, and transgression are constants in the history of adab. Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
Ladies in Arms
In contemporary popular culture, armed women take center stage - but how can they be read from a feminist perspective? How do films, comics, and TV series depict the newly fashionable gunwomen between objectification and feminist empowerment? The contributions to this volume ask this question from different vantage points in cultural and literary studies, film and visual culture studies, history, and art history. They examine military and civic gun cultures, the rediscovery of historical armed women and revolutionaries, cultural phenomena such as gangsta rap, narcocultura and US politics, Bollywood and French cinema, and distinct genres such as the graphic novel, the romance novel, or the German police procedural Tatort.
