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Cutting Along the Color Line
Examines the history of black-owned barber shops in the United States, from pre-Civil War Era through today.
The Shop
Experience The Shop as never before through behind-the-scenes anecdotes, insights from the hosts and guests, stunning photography, and unforgettable quotes from culture-leading athletes, artists, and entrepreneurs—all giving an in-depth look at the real, unfiltered, empowering conversations that only happen within the walls of The Shop. You've watched them talk, laugh, and debate on The Shop, a show The New Yorker called, “…entertainment at its finest.” Now, take a step behind the scenes with hosts LeBron James, Maverick Carter, and Paul “PR” Rivera in The Shop, a book that chronicles the candid moments and conversations. "The Shop isn't just about people talking to each other. I...
Maria W. Stewart and the Roots of Black Political Thought
Maria W. Stewart and the Roots of Black Political Thought tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston’s Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated t...
Freeman's Challenge
"Robin Bernstein relates a bloody tale of race, murder, and injustice that forces us to rethink the origins and consequences of America's immoral system of prisons for profit. Bernstein brings to life the story of William Freeman, a free Black man who in 1840 was forced into unpaid labor as an inmate of Auburn State Prison in New York. After his release, he murdered four members of a white family, as revenge for the theft of his labor. His trial saw the crystallization of a nefarious ideology-the idea that African Americans are inherently criminal-yet it also shaped Auburn as an important node in the long battle for Black freedom"--
Your Average Nigga
An engrossing autobiographical exploration of black masculinity as a mode of racial and verbal performance. In Your Average Nigga, Vershawn Ashanti Young disputes the belief that speaking Standard English and giving up Black English Vernacular helps black students succeed academically. Young argues that this assumption not only exaggerates the differences between two compatible varieties of English but forces black males to choose between an education and their masculinity, by choosing to act either white or black. As one would expect from a scholar who is subject to the very circumstances he studies, Young shares his own experiences as he exposes the factors that make black racial identity ...
Finding Charity’s Folk
Finding Charity’s Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre. Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as Folks, freedom, like ens...
Talking about Race
It is a perennial question: how should Americans deal with racial and ethnic diversity? More than 400 communities across the country have attempted to answer it by organizing discussions among diverse volunteers in an attempt to improve race relations. In Talking about Race, Katherine Cramer Walsh takes an eye-opening look at this strategy to reveal the reasons behind the method and the effects it has in the cities and towns that undertake it. With extensive observations of community dialogues, interviews with the discussants, and sophisticated analysis of national data, Walsh shows that while meeting organizers usually aim to establish common ground, participants tend to leave their discuss...
Liberation and the Cosmos
The rich legacy of black critical thought, creative expression, and religious reflection come together in these creatively imagined conversations between the elders about the shape and conditions of Black liberation. Barbara A. Holmes has defined key issues of freedom and identity, hypothesizing a meeting of the ancestors assembled "on the other side" to discuss them. Imagine a conversation between Barbara Jordan and Thurgood Marshall on what freedom looks like in relation to law and politics. Or, between Tupac Shakur, Nina Simone, and James Baldwin on art, culture, and liberation. Malcolm X and Harriet Tubman discuss freedom and wholeness, while Audre Lorde, Fannie Lou Hamer, and George Washington Carver talk about liberated bodies. These imagined dialogues open up rich reflection and insight and offer a unique vantage point for understanding the luminaries of liberation down through the generations. An important resource for the contemporary task of Black liberation.
We Are Made of Stories
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse c...
Beyond Vanity
From the award-winning author of Dressing Up, a riveting and diverse history of women’s hair that reestablishes the cultural power of hairdressing in nineteenth-century America. In the nineteenth century, the complex cultural meaning of hair was not only significant, but it could also impact one’s place in society. After the Civil War, hairdressing was also a growing profession and the hair industry a mainstay of local, national, and international commerce. In Beyond Vanity, Elizabeth Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the hair industry...
