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An essential guide to the trouble spots and oddities of R. In spite of the quirks exposed here, R is the best computing environment for most data analysis tasks. R is free, open-source, and has thousands of contributed packages. It is used in such diverse fields as ecology, finance, genomics and music. If you are using spreadsheets to understand data, switch to R. You will have safer -- and ultimately, more convenient -- computations.
Ian McIntyre's biography gives a careful analysis of Burn's songs and poetry and strips away the legend to explore what lies beneath. The figure that emerges is sharper, less idealized, perhaps more truly great, than in any previous biography.
"Robert Burns is more than Scotland's national poet. With Shakespeare, Burns is an icon for the UK and Scotland he is a national symbol. This volume of poems and songs is a best selling, beautiful edition of his work."--Publisher description.
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While recent scholarship has usefully positioned Burns within the context of British Romanticism as a spokesperson of Scottish national identity, Robert Burns and Transatlantic Culture considers Burns's impact in the United States, Canada, and South America, where he has served variously as a site of cultural memory and of creative negotiation. Ambitious in its scope, the volume is divided into five sections that explore: transatlantic concerns in Burns's own work, Burns's early publication in North America, Burns's reception in the Americas, Burns's creation as a site of cultural memory, and extra-literary remediations of Burns, including contemporary digital representations. By tracing the transatlantic modulations of the poet and songwriter and his works, Robert Burns and Transatlantic Culture sheds new light on the circuits connecting Scotland and Britain with the evolving cultures of the Americas from the late eighteenth century to the present.
Robert Burns is Scotland’s greatest cultural icon. Yet, despite his continued popularity, critical work has been compromised by the myths that have built up around him. McGuirk focuses on Burns’s poems and songs, analysing his use of both vernacular Scots and literary English to provide a unique reading of his work.