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Literature and Journalism in Antebellum America
Explores the sibling rivalry that emerged in the American literary marketplace in the decades after the advent of the penny press, showing how journalism became a target, a counterpoint, and even a model for numerous American authors, including Thoreau, Cooper, Poe, and Stowe.
The Latest Early American Literature
The Latest Early American Literature, according to readers for the University of Delaware Press, is “a collection of polemics and manifestoes.” In it R. C. De Prospo bids to follow in the footsteps of the two, rare, early Americanist dissenters whom Philip F. Gura once distinguished as “prophets without honor in the field”: William Spengemann and Michael Colacurcio. The book contends that a supposedly retired nationalist/modernist “telos” continues to reign in most of the latest scholarship, and even more influentially in all of the current literary histories and anthologies, no matter how expansive in gender, ethnic, racial, and “hemispheric” inclusiveness they profess to be...
Pauline Images in Fiction and Film
This is Dr. Kreitzer's third study in the Biblical Seminar Series in which the connections between biblical texts, classic works of literature, and cinematic interpretations of those works of literature are explored. The aim is to illuminate both the New Testament texts and facets of contemporary culture through a cross-disciplinary approach. The studies discuss a wide variety of theological themes, including shipwreck and salvation, eschatology, eucharistic imagery, and liberation and slavery.
Poe's Difference
Poe's Difference argues that Edgar Allan Poe has much more in common with early American, medieval, and ancient writers than with the modern and post-modern ones with whom the writer is so often associated. This book emphasizes Poe's anachronisms to make a number of theoretical, pedagogical, literary historical, and political claims about the backwardness of antebellum U.S. culture. Some time ago Michael Colacurcio issued the challenge that "the full case for the Puritan character of Poe's 'horror' remains to be made." Although going back a good deal further than just to the "Puritans," Poe's Difference aspires fully to make precisely this case.
American Studies
This volume supplements the acclaimed three volume set published in 1986 and consists of an annotated listing of American Studies monographs published between 1984 and 1988. There are more than 6,000 descriptive entries in a wide range of categories: anthropology and folklore, art and architecture, history, literature, music, political science, popular culture, psychology, religion, science and technology, and sociology.
Theism in the Discourse of Jonathan Edwards
This book proposes that a new semiotic category called theism can more intelligibly classify the discursive pattern that precedes modern humanism in American literature than such standard historicist categories as Puritanism or Calvinism or medievalism, and that the writings of Jonathan Edwards exemplify this theist discursive pattern.
Letter and the Spirit of Nineteenth-Century American Literature
Moving back to the trial of Anne Hutchinson in Puritan Massachusetts and the captivity narrative of Mary Rowlandson in order to analyse theo-political signification, Loebel provides a new context for examining the politically performative function of language in such texts as "The Scarlet Letter," "Uncle Tom's Cabin," and "Waiting for the Verdict." He also argues, however, that a specific theo-logic manifests itself in the political rhetoric of the nation, such that the afterlife of the "New Jerusalem" resonates not just in the "Blessings of Liberty" enshrined in the Constitution but also in the shift from a religious understanding of union with Jesus to that of the Union of States as a nation. Loebel compares unionist and confederate discourse, opening up new ways of theorising representation as a political, theological, legal, and literary issue that has continued currency both in twentieth-century literature and in the political discourse of America's global vision, such as the "axis of evil" and the "new world order." Anyone interested in American literature and culture will view the relationship between ethics and justice differently after reading this book.
George Eliot U.S.
George Eliot U.S. demonstrates the complex and reciprocal relationship between George Eliot's fiction and the writings of her major American contemporaries, including Nathaniel Hawthorne, Harriet Beecher Stowe, and Ralph Waldo Emerson. The book also traces Eliot's influence on subsequent American fiction. The introductory section raises methodological questions concerning influence and intertextuality and addresses the mutual reception of European and American social and cultural discourses in order to illuminate culturally motivated divergences and convergences in the authors' presentation of gender, race, and national and ethnic alterity. The book's main body discusses Eliot's and the Amer...
Rethinking Uncle Tom
Generally critics and interpreters of Uncle Tom have constructed a one-way view of Uncle Tom, albeit offering a few kind words for Uncle Tom along the way. Recovering Uncle Tom requires re-telling his story. This book delivers on that mission, while accomplishing something no other work on Harriet Beecher Stowe has fully attempted: an in-depth statement of her political thought. Heroeuvre, in partnership with that of her husband Calvin, constitutes a demonstration of the permanent necessity of moral and prudential judgment in human affairs. Moreover, it identifies the political conditions that can best guarantee conditions of decency. Her two disciplines-philosophy and poetry-illuminate the ...
Domestic Abolitionism and Juvenile Literature, 1830-1865
Deborah C. De Rosa examines the multifaceted nature of domestic abolitionism, a discourse that nineteenth-century women created to voice their political sentiments when cultural imperatives demanded their silence. For nineteenth-century women struggling to find an abolitionist voice while maintaining the codes of gender and respectability, writing children's literature was an acceptable strategy to counteract the opposition. By seizing the opportunity to write abolitionist juvenile literature, De Rosa argues, domestic abolitionists were able to enter the public arena while simultaneously maintaining their identities as exemplary mother-educators and preserving their claims to "femininity." Using close textual analyses of archival materials, De Rosa examines the convergence of discourses about slavery, gender, and children in juvenile literature from 1830 to 1865, filling an important gap in our understanding of women's literary productions about race and gender, as well as our understanding of nineteenth-century American literature more generally.
