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Critics have tried to revitalize the discipline of New Testament theology. The results of their labors are often disappointing. A. K. M. Adam suggests the problems many sense in New Testament theology arise from a mismatch of method and goals. That mismatch stems from a preoccupation with modernity as resident in the hallowed halls of regnant historical criticism. We need a hermeneutics of theology, a hermeneutics of hermeneutics. Adam here helps us understand what to keep of the historical-critical perspective when the realization hits that we have been sold a bill of goods that no longer makes good on its promises. In that sense, Adam's book is far more friendly to the historical-critical method as such than unfriendly (editor's preface).
This is a detailed study of the forms in which charitable giving was organised in medieval Cambridge and Cambridgeshire, unravelling the economic and demographic factors which created the need for relief as well as the forms in which the community offered it.
The feast of Corpus Christi, one of the most solemn feasts of the Latin Church, can be traced to the Fourth Lateran Council in 1215 and its resolution of disputes over the nature of the Eucharist. The feast was first celebrated in Liège in 1246, thanks largely to the efforts of a religious woman, Juliana of Mont Cornillon, who not only popularized the feast, but also wrote key elements of an original office. This volume presents for the first time a complete set of source materials germane to the study of the feast of Corpus Christi. In addition to the multiple versions of the original Latin liturgy, a set of poems in Old French, and their English translations, the book includes complete transcriptions of the music associated with the feast. An introductory essay lays out the historical context for understanding the initiation and reception of the feast.
Experience Teton country from the eyes of a grand visionary Harrison R. Crandall was the first official photographer of Grand Teton National Park. In addition to his marvelous iconic landscape photos of Teton country, many of which were meticulously hand colored with a painter’s eye, many of his original color paintings, drawings, and illustrations are featured. With a wealth of archival photographs, many of which have never been published before, this book is both a visual treat for the eyes as well as an authoritative chronicle of Harrison Crandall’s life and work.