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Atlantic Reporter
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From Solidarity to Schisms
Explores the effects the evens to September 11, 2001 and their aftermath have had on fiction and film outside of the United States. This collection illustrates how 9/11 was global without using simple categorizations.
The Anthology of Colonial Australian Adventure Fiction
Marauding bushrangers, lost explorers, mad shepherds, new chums and mounted troopers: these are some of the characters who populate the often perilous world of colonial Australian adventure fiction. Squatters defend their hard-earned properties from attack, while floods and other natural disasters threaten to wipe any trace of settlement away. Colonial Australian adventure fiction takes its characters on a journey into remote and unfamiliar territory, often in pursuit of wealth and well-being. But these journeys are invariably fraught with danger, and everything comes at a price. This anthology collects the best examples of colonial Australian adventure fiction, with stories by Ernest Favenc, Louis Becke, Rosa Praed, Guy Boothby, and many others. Also available in this series: The Anthology of Colonial Australian Gothic Fiction The Anthology of Colonial Australian Crime Fiction The Anthology of Colonial Australian Romance Fiction
A New Companion to The Gothic
The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field The editor is widely recognized as the founder of modern criticism of the Gothic
Colonial Australian Fiction
Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the “currency lass”, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies. In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, coloni...
Australian Fiction as Archival Salvage
Australian Fiction as Archival Salvage examines developments in the Australian postcolonial historical novel from 1989 to the present, including seminal experiments in the genre by Kate Grenville, Mudrooroo, Kim Scott, Peter Carey, Rohan Wilson and others.
The Palgrave Handbook of Steam Age Gothic
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and...
The Anthology Of Colonial Australian Crime Fiction
From the editors of The Anthology of Colonial Australian Gothic Fiction comes this fascinating collection of disturbing mysteries and gruesome tales by authors such as Mary Fortune, James Skipp Borlase, Guy Boothby, Francis Adams, Ernest Favenc, 'Rolf Boldrewood' and Norman Lindsay, among many others. In the bush and the tropics, the goldfields and the city streets, colonial Australia is a troubling, bewildering place and almost impossible to regulate—even for the most vigilant detective. Ex-convicts, bushrangers, ruthless gold prospectors, impostors, thieves and murderers flow through the stories that make up this collection, challenging the nascent forces of colonial law and order. The landscape itself seems to stimulate criminal activity, where identities change at will and people suddenly disappear without a trace. The Anthology of Colonial Australian Crime Fiction is a remarkable anthology that taps into the fears and anxieties of colonial Australian life.
Women Writing Crime Fiction, 1860-1880
Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.
Literary Journalism in Colonial Australia
This book traces the beginnings of literary (narrative) journalism in Australia. It contributes to evolving international definitions of the form, while providing a glimpse into Australia’s early press history and development as a nation. The book comprises two parts. The first examines the forerunners of literary journalism before and during the establishment of a free press, including the letters, diaries and journals of the early colonists, as well as sketches published in the first magazines and newspapers. The book asks if these were “reporting” when there was no thriving press until well into the 19th century -- many were written by women and convicts whose voices otherwise went ...
