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A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
Geographically isolated and long regarded as the 'quintessential' proletarians, industrial bogeymen and revolutionaries, coal miners occupy an important place in the history of industrial radicalism in New Zealand. Looking behind the stereotypes, Coal, Class and Community tells a story about New Zealand's industrial past, clearly identifying the central issues and paying attention to the colorful personalities involved. The book demonstrates how miners' sense that they had a historic mission to lead the assault upon the capitalist system brought them to the fore during New Zealand's greatest industrial upheavals: the Maritime Strike of 1890, the revolutionary turmoil of 1912-13 and the 1951 Waterfront Dispute.
Different approaches have been conducted to analyse the interactions of the different belief systems in the early medieval world. This book assesses the relationship between clerics and Scandinavian-influenced laity in the Irish Sea area through the placement of furnished graves at or near ecclesiastical sites in the ninth through the eleventh centuries. Other areas of funerary studies have moved beyond a dichotomy of Christianity and paganism, acknowledging that practices can be multifaceted. Yet, statements regarding Viking Age furnished graves in or near ecclesiastical sites are still not as pervasively open to this line of thinking. To bridge this gap, this book delves into the historiog...
The generation of writers that came to prominence in the 1930s laid down the framework for modern New Zealand literature. This book looks at the beginnings of those writers' careers, at the influences of events like the Depression and the onset of war, and at the role of cultural institutions. Ultimately, it is about the myths that surround the 1930s writers, and the myths they made.
In the first major national history of Aotearoa New Zealand to be published for 20 years, Professor Michael Belgrave advances the notion that New Zealand's two peoples — tangata whenua and subsequent migrants — have together built an open, liberal society based on a series of social contracts. Frayed though they may sometimes be, these contracts have created a country that is distinct. This engaging new look at our history examines how.
In 1932, Aldous Huxley published Brave New World, his famous novel about a future in which humans are produced to spec in laboratories. Around the same time, Australian legislators announced an ambitious experiment to “breed the colour” out of Australia by procuring white husbands for women of white and indigenous descent. In this study, Nadine Attewell reflects on an assumption central to these and other policy initiatives and cultural texts from twentieth-century Britain, Australia, and New Zealand: that the fortunes of the nation depend on controlling the reproductive choices of citizen-subjects. Better Britons charts an innovative approach to the politics of reproduction by reading an array of works and discourses – from canonical modernist novels and speculative fictions to government memoranda and public debates – that reflect on the significance of reproductive behaviours for civic, national, and racial identities. Bringing insights from feminist and queer theory into dialogue with work in indigenous studies, Attewell sheds new light on changing conceptions of British and settler identity during the era of decolonization.
In this collection of essays, writers explore the construction of history within a political process: the changing impact of the Treaty of Waitangi. Judith Binney looks at Maori oral narratives from colonial times, and Angela Ballara reinforces the importance of using Maori language sources.
Treasury is the official commissioned history of our most important department of state, founded with the nation in 1840. It is a rich and textured story: it shows the perennial jousting of officials with ministers, the rise and fall of the accountants and the rise and rise of the economists. It shows the impact of changes in the political scene and of events in the world economy. Not always grey bureaucrats, colourful figures stride the pages: one secretary was representative rugby player, one was a better politician than the politicians, one took beginner's ballet classes through an especially stressful year. But this is a serious and fascinating study at the heart of the country's history taking the story through the controversial 'rogernomics' years up to 2000. Long overdue, Treasury will be essential reading for anyone interested in New Zealand history and the complex interplay between government, economy and people.
One of the most important and influential figures in the history of New Zealand theater, Nola Millar was an indefatigable director and teacher and the founder of Toi Whakaari, New Zealand's premier drama school. This biography explores the full story of her career, her important work as reference librarian at the Turnbull library, and the social contexts in which she worked, providing great insight into the history of theatre in New Zealand.
In this highly original account, Charlotte Macdonald shows how governments became convinced they must encourage citizens to be healthier and more active, and how these efforts reinforced the cultural ties of the Empire. Alongside these state-sponsored efforts was a growing emphasis from business, the medical establishment, and popular culture on the importance of having "a better body."