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Cultural Heritage and Prisoners of War
This book focuses on the numerous examples of creativity produced by POWs and civilian internees during their captivity, including: paintings, cartoons, craftwork, needlework, acting, musical compositions, magazine and newspaper articles, wood carving, and recycled Red Cross tins turned into plates, mugs and makeshift stoves, all which have previously received little attention. The authors of this volume show the wide potential of such items to inform us about the daily life and struggle for survival behind barbed wire. Previously dismissed as items which could only serve to illustrate POW memoirs and diaries, this book argues for a central role of all items of creativity in helping us to understand the true experience of life in captivity. The international authors draw upon a rich seam of material from their own case studies of POW and civilian internment camps across the world, to offer a range of interpretations of this diverse and extraordinary material.
Out of the Bloodlands
-First survey of a century-long contribution of Polish artists in Britain -Tells parallel narratives of Polish Jewish and non-Jewish artists and their respective cultural contributions -Includes contemporary Polish artists currently working in Britain who came for wholly positive reasons -Contributes to current debates around migration and identity -Includes material from private archives and collections A new survey of the contribution of Polish-born artists to British visual culture based on Ben Uri's exhibition of the same title. It is particularly apt as the Polish community approaches its millionth citizen in Britain, making it the nation's largest migrant group, and as Poland is about ...
Applied Arts in British Exile from 1933
This volume addresses and analyses the important contribution of émigrés to Britain during the 1930s and postwar, across the applied arts, embracing mainstream practices such as photography, advertising architecture, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry.
Genealogy of the Dickson Family and Its Immediate Collateral Branches
Material includes a photocopy of "Genealogy of the Dickson family."
London, Modernism, and 1914
A new take on the impact of war on the London art and literary scene and the emergence of modernism, first published in 2010.
Arrival Cities
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six majo...
Internment in Britain in 1940 Hb
When the artist Hugo Dachinger asked to paint the portrait of diarist Wilhelm Hollitscher a new friendship was born. Both men, refugees from the Nazis, were interned in the Huyton Internment Camp in 1940. However, they refused to let the experience daunt them, with Dachinger manufacturing his art materials from anything to hand and Hollitscher continuing his life-long habit of diary keeping. Hollitscher's diary provides a vivid account of daily life in the camp along with wider political comment, while Dachinger staged exhibitions of his work in the camp entitled Behind the Wire. Both men found being interned as an 'enemy alien' traumatic, but were able to draw strength from the experience. The context is set by three chapters. Professor Charmian Brinson writes about the history of internment and Churchill's shameful policy to 'collar the lot'; Rachel Dickson elucidates Dachinger's work in the camp and Ines Newman, the granddaughter of Wilhelm Hollitscher, provides a portrait of her grandfather's background and life. The book reveals the true experience of life in captivity and is as relevant to today's injustices as it is an account of unjust treatment in the past.
