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Boys
A vital and sweeping examination of today's "boy crisis," demonstrating the ways in which we raise boys into a culture of toxic masculinity and offering solutions that can liberate us all Whether they're being urged to "man up" or warned that "boys don't cry," young men are subjected to damaging messages about manliness: they must muzzle their emotions and never show weakness, dominate girls and compete with one another. Boys: What It Means to Become a Man examines how these toxic rules can hinder boys' emotional and social development. If girls can expand the borders of femaleness, could boys also be set free of limiting, damaging expectations about manhood and masculinity? Could what's bee...
The Donegal Pictures
Seventy-nine duotone photographs of remote Irish-speaking farming and sheepherding communities; Introduction by Ciaran Carson
Dream Work
Dream Work, a collection of forty-five poems, follows both chronologically and logically Mary Oliver's American Primitive, which won her the Pulitzer Prize for the finest book of poetry published in 1983 by an American poet. The depth and diversity of perceptual awareness—so steadfast and radiant in American Primitive—continue in Dream Work. She has turned her attention in these poems to the solitary and difficult labors of the spirit—to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships. Whether by way of inheritance—as in her poem about the Holocaust—or through a painful glimpse into the present—as in "Acid," a poem about an injured boy begging in the streets of Indonesia—the events and tendencies of history take on a new importance here. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.
The H-Spot
What do women want? The same thing men were promised in the Declaration of Independence: happiness, or at least the freedom to pursue it. For women, though, pursuing happiness is a complicated endeavor, and if you head out into America and talk to women one-on-one, as Jill Filipovic has done, you'll see that happiness is indelibly shaped by the constraints of gender, the expectations of feminine sacrifice, and the myriad ways that womanhood itself differs along lines of race, class, location, and identity. In The H-Spot, Filipovic argues that the main obstacle standing in-between women and happiness is a rigged system. In this world of unfinished feminism, men have long been able to "have it...
Ireland in Focus
From an analysis of the Guinness brand’s reflection of Irish identity to an exploration of murals and film portrayals of political prisoners, this pioneering collection of essays seeks to present Ireland’s relationship to visual culture as a whole. While other works have explored the imagistic history of Ireland, most have restricted their lens to a single form of visual representation. Ireland in Focus is the first book to address the diverse range of visual representations of national and communal identity in Ireland. The contributors examine the politics of visual representation from both historical and contemporary perspectives. Drawing from the areas of cultural theory, postcolonial studies, art criticism, documentary and archival history, and gender studies, the essays provide novel insights on a variety of visual-cultural forms, including film, theater, photography, landscape art, political murals, and the visual iconography of commercial marketing. Bringing together established scholars and emerging young critics in the field, Ireland in Focus breaks new ground in showcasing the essential dynamism of visual culture and its relationship to Irish studies.
Imagine Me Gone
Shortlisted for the NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 2017 PULITZER PRIZE Finalist for Fiction TIME Top Ten Novels of 2016 'It might be the best American novel about a middle-class family since Jonathan Franzen's The Corrections' Independent 'Exceptional, haunting, distinctive... [It] resembles the work of Anne Tyler, intertwining grief and love... Intimate and panoramic' The Sunday Times 'Dreadfully sad and hilariously funny. Literature of the highest order' Peter Carey Universal and essential, the heart-breaking story of an ordinary American family shaped by tragedy Michael's father walked into the woods one day, and out of his family's life for ever. Yet he and his brother and sister see it less as a tragedy in their past and more as a forewarning of the future. For Michael - smart, brilliant, so alive and vital - feels the darkness that drew their father away and how, given the chance, it might take the whole family. He wants to save them - but can he save himself?
Black Apple
Tells the story of Sinopaki, a Blackfoot girl who grows up in the residential school system on the Canadian prairies under the sharp eye, and torment, of Mother Grace at the St. Mark Residential School that is run by the sisters of Brotherly Love, an order of nuns dedicated to saving Indigenous children.
Why Young Men
Longlisted for the Toronto Book Award The day after the 2015 Paris terror attacks, twenty-eight-year-old Canadian Jamil Jivani opened the newspaper to find that the men responsible were familiar to him. He didn’t know them, but the communities they grew up in and the challenges they faced mirrored the circumstances of his own life. Jivani travelled to Belgium in February 2016 to better understand the roots of jihadi radicalization. Less than two months later, Brussels fell victim to a terrorist attack carried out by young men who lived in the same neighbourhood as him. Jivani was raised in a mostly immigrant community in Toronto that faced significant problems with integration. Having grow...
Bad Singer
In the tradition of Daniel Levitin’s This Is Your Brain on Music and Oliver Sacks’ Musicophilia, Bad Singer follows the delightful journey of Tim Falconer as he tries to overcome tone deafness — and along the way discovers what we’re really hearing when we listen to music. Tim Falconer, a self-confessed “bad singer,” always wanted to make music, but soon after he starts singing lessons, he discovers that he’s part of only 2.5 percent of the population afflicted with amusia — in other words, he is scientifically tone-deaf. Bad Singer chronicles his quest to understand human evolution and music, the brain science behind tone-deafness, his search for ways to retrain the adult brain, and his investigation into what we really hear when we listen to music. In an effort to learn more about his brain disorder, he goes to a series of labs where the scientists who test him are as fascinated with him as he is with them. He also sets out to understand why we love music and deconstructs what we really hear when we listen to it. And he unlocks the secret that helps explain why music has such emotional power over us.
Best Canadian Sports Writing
38 pieces that will be remembered for seasons to come For 25 years, sports journalists south of the border have been collected in best-of anthologies. With Best Canadian Sports Writing, editors Stacey May Fowles and Pasha Malla offer a long overdue rejoinder from the North, showcasing top literary sports writing from diverse homegrown talent. This extraordinary anthology of recent writing mixes columns and long-form journalism, profiles and reportage, new voices and well-known favourites such as Stephen Brunt, Rachel Giese, Eric Koreen, Morgan Campbell, and Cathal Kelly. The assembled pieces offer polished prose, unusual perspectives, and rare insight into their subjects, whether itÕs a Filipino basketball league in the Yukon, the rise and fall of ski ballet, or a field trip to the Mexican hometown of the JaysÕ Roberto Osuna. With its many voices and approaches, Best Canadian Sports Writing expands the genre into more democratic and conversational territory, celebrating the perspectives of both fans and experts alike. These remarkable pieces offer lasting insight that, like sport itself, excites, inspires, and never fails to reveal the truth about ourselves.
