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Love is Not Enough
  • Language: en
  • Pages: 311

Love is Not Enough

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

Full of wisdom, practical insight, and first-hand experience - both professional and personal - here is a child-rearing text which speaks from the head as well as the heart. For parents and educators alike, here is straight talk about strengthening family relationships and raising successful, happy, and mature children.

Framing a Revolution
  • Language: en
  • Pages: 325

Framing a Revolution

Using over 100 in-depth interviews, this book examines how gendered framing contests between warring groups affect peace prospects in Colombia.

Forms of Modernity
  • Language: en
  • Pages: 433

Forms of Modernity

It's a critical cliché that Cervantes' Don Quixote is the first modern novel, but this distinction raises two fundamental questions. First, how does one define a novel? And second, what is the relationship between this genre and understandings of modernity? In Forms of Modernity, Rachel Schmidt examines how seminal theorists and philosophers have wrestled with the status of Cervantes' masterpiece as an 'exemplary novel', in turn contributing to the emergence of key concepts within genre theory. Schmidt's discussion covers the views of well-known thinkers such as Friedrich Schlegel, José Ortega y Gasset, and Mikhail Bakhtin, but also the pivotal contributions of philosophers such as Hermann Cohen and Miguel de Unamuno. These theorists' examinations of Cervantes's fictional knight errant character point to an ever-shifting boundary between the real and the virtual. Drawing from both intellectual and literary history, Forms of Modernity richly explores the development of the categories and theories that we use today to analyze and understand novels.

Coup D'état In South Dakota
  • Language: en
  • Pages: 198

Coup D'état In South Dakota

  • Type: Book
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  • Published: Unknown
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  • Publisher: Lulu.com

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Critical Images
  • Language: en
  • Pages: 271

Critical Images

How did the tall, lanky Don Quixote and the short, stout Sancho Panza become staple figures of Western iconography, so well known that their silhouettes are easily recognizable in Picasso's famous work? How did the novel Don Quixote, a parody of the romances of knight errantry, become a paean to the long-suffering, impotent nobility of its deluded protagonist? According to Rachel Schmidt, the answers to both questions are to be found in the way in which the novel's characters and episodes were depicted in early illustrated editions. In Critical Images Schmidt argues that these visual images presented critical interpretations that both formed and represented the novel's historical reception. ...

Critical Images
  • Language: en
  • Pages: 278

Critical Images

  • Categories: Art

Explores the impact of early Spanish and English illustrations of the novel Don Quixote, arguing that these visual images presented critical interpretations that both formed and represented the novel's historical reception. Examines several iconographic traditions represented in the illustrations, including the burlesque, the satirical, and the sentimental, and discusses canon formation, visual semiotics, and the impact of visual media on public opinion. Annotation copyrighted by Book News, Inc., Portland, OR

Friedrich Schleiermacher’s Pathways of Translation
  • Language: en
  • Pages: 280

Friedrich Schleiermacher’s Pathways of Translation

This interdisciplinary study introduces readers to Friedrich Schleiermacher’s diverse pathways of reflection and creative practice that are related to the field of translation. By drawing attention to Schleiermacher’s various writings on a range of subjects (including philology, criticism, hermeneutics, dialectics, rhetoric and religion), the author makes it clear that the frequently cited lecture Über die verschiedenen Methoden des Übersetzens (On the Different Methods of Translating) represents but a fraction of Schleiermacher’s contributions to modern-day insights into translation. The analysis of Schleiermacher’s various pathways of reflection on translation presented in this b...

The King Family Saga: An Amish Romance Collection
  • Language: en
  • Pages: 1592

The King Family Saga: An Amish Romance Collection

From USA Today bestselling author Jennifer Spredemann Amish romances like nothing you've ever read before... Introducing The King Family Saga! Each book in this series includes a Biblically based Amish romance that will transport you peaceful Amish country. Immerse yourself in the lives of the King family... Isaac King isn't looking for a fraa, but he'll do anything to honor his elderly father - even marry a stranger! Jacob King is in love with Rachel Schmidt, but what happens when her father wants him to marry her schweschder? Joseph King finds love with beautiful Azalea, but will she abandon him when he's accused - and convicted - of a crime he didn't commit? Bo King thought he'd never fin...

Women and Capital Punishment in the United States
  • Language: en
  • Pages: 439

Women and Capital Punishment in the United States

  • Type: Book
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  • Published: 2015-11-23
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  • Publisher: McFarland

The history of the execution of women in the United States has largely been ignored and scholars have given scant attention to gender issues in capital punishment. This historical analysis examines the social, political and economic contexts in which the justice system has put women to death, revealing a pattern of patriarchal domination and female subordination. The book includes a discussion of condemned women granted executive clemency and judicial commutations, an inquiry into women falsely convicted in potentially capital cases and a profile of the current female death row population.

The Knights of Modernism
  • Language: en
  • Pages: 277

The Knights of Modernism

According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention. Failing to become attuned to the real role of the chivalric ideal at the beginning of the era of the modern novel, commentators missed the chance to adequately review the role of chivalry at the end of that period. The modern novel did not only begin, but also ended with a travesty of the chivalric ideal. The deep need of a significant number of modernist writers to measure their own time according to the ideals of the high and late Middle Ages cannot, therefore, be explained by a set of literary-historical, spiritual-historical or social circumstances. The predilection of a range of twentieth century novelists for a distant feudal past suggests that there exists a fundamental poetic connection between the modern (or at least the modernist) novel and the ideals of chivalry.