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Aerial and on-site photographs made at a classified military site in the Great Salt Lake Desert by David Maisel, author of Black Maps David Maisel's (born 1961) Proving Ground comprises aerial and on-site photographs made at Dugway Proving Ground, a classified military site covering nearly 800,000 acres in Utah's Great Salt Lake Desert. A primary mission of Dugway is to develop, test and implement chemical and biological weaponry and defense programs. After more than a decade of inquiry, Maisel was granted access to this facility in order to photograph the terrain, the testing facilities and other aspects of the site. Maisel began by photographing at ground level, focusing on structures related to the testing of chemical warfare dispersal patterns. He then moved to an aerial perspective to create images that resemble large-scale minimalist drawings inscribed on the land. Maisel's work at Dugway also includes photographs of the newly minted WSLAT (Whole System Live Agent Test) facility, which is devoted to identification and neutralization of chemical and biological toxins that can be weaponized by terrorists or rogue nations.
Rebecca Norris Webb's meditation on fathers and daughters, one's first landscape, caretaking of the land and its inhabitants, and on history that divides us as much as heals us Rebecca Norris Webb (born 1956) first came across W. Eugene Smith's "Country Doctor," his famous Life magazine photo essay, while studying at the International Center of Photography in New York. She was immediately drawn to the subject of Smith's essay, Dr Ernest Ceriani, a Colorado country doctor who was just a few years older than her father. She wondered: How would a woman tell this story, especially if she happened to be the doctor's daughter? In light of this, for the past six years Norris Webb has retraced the route of her 99-year-old father's house calls through Rush County, Indiana, the rural county where they both were born. Following his work rhythms, she photographed often at night and in the early morning, when many people arrive into the world--her father delivered some one thousand babies--and when many people leave it. Accompanying the photographs, lyrical text pieces addressed to her father create a series of handwritten letters told at a slant.
RADIUS, or Remote Authentication Dial-In User Service, is a widely deployed protocol that enables companies to authenticate, authorize and account for remote users who want access to a system or service from a central network server. RADIUS provides a complete, detailed guide to the underpinnings of the RADIUS protocol. Author Jonathan Hassell brings practical suggestions and advice for implementing RADIUS and provides instructions for using an open-source variation called FreeRADIUS.
West's material experiments in film and art explore Southern California's changing geography This debut monograph brings together nearly a decade of "analogital" experiments in film, sculpture and installation by Jennifer West (born 1966)--one of the most committed artists working on the West Coast today. Saturated in a history of avant-garde and Third World cinema (not to mention HIV/AIDS activism and the incipient Riot Grrrl movement) since she was an undergraduate at Evergreen State College, West's work today treads similar ground: challenging the utopianism of new media adoptees as well as the nostalgia of analog-only film adherents. The 11 projects reproduced in the book, all produced between 2014 and 2021, fall under the heading of Media Archaeology, and reveal the historical and material promiscuity of West's experiments in film and art, often tied to the changing geography of Los Angeles and its surrounds.
From the author of Welcome to Camp America, an eerie exploration of America's performance of power and identity in the post-9/11 era What are the stories we tell ourselves, the games we play, to manage unsettling realities? Made on ten military bases across the United States since 2016, Necessary Fictionsdocuments mock-village landscapes in the fictional country of "Atropia" and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios. Costumed Afghan and Iraqi civilians, many of whom have fled war, now recreate it in the service of the US military. Real soldiers pose in front of camouflage backdrops, dressed by Hollywood makeup artists in "moulage"--fake wounds--as they prepare to deploy. Brooklyn-based conceptual documentary artist and former civil rights lawyer Debi Cornwall (born 1973) photographs this meta-reality--the artifice of war--presented in the book with a variety of texts to provoke critical inquiry about America's fantasy industrial complex. The book includes an essay by PEN Award-winning critical theorist Sarah Sentilles.
The subject of security never strays far from the minds of IT workers, for good reason. If there is a network with even just one connection to another network, it needs to be secured. RADIUS, or Remote Authentication Dial-In User Service, is a widely deployed protocol that enables companies to authenticate, authorize and account for remote users who want access to a system or service from a central network server. Originally developed for dial-up remote access, RADIUS is now used by virtual private network (VPN) servers, wireless access points, authenticating Ethernet switches, Digital Subscriber Line (DSL) access, and other network access types. Extensible, easy to implement, supported, and...
Divided into sections that represent the breadth of Alison Rossiter's (born 1953) process and vision, 'Expired Paper' offers a comprehensive look at the artist's body of cameraless photo-art?Latent, Landscapes, Pools, Pours, Dips, Blurs, Fours and Collages. Art critic Leah Ollman has been contemplating Rossiter's work for years, and her accompanying text serves as an ideal complement to the images: 'All of the works pay homage to the rich idiosyncrasies of photographic papers across history, and restore a sanctity to the photograph as object. Made without cameras, lenses or film, the works are nothing but process and materiality.' The book also includes a selection of early 20th-century photographic paper packages (which the artist has collected for over 10 years) in a separate booklet.
This monograph is based on the Ph.D. Thesis of the author [58]. Its goal is twofold: First, it presents most researchwork that has been done during his Ph.D., or at least the part of the work that is related with the joint spectral radius. This work was concerned with theoretical developments (part I) as well as the study of some applications (part II). As a second goal, it was the author’s feeling that a survey on the state of the art on the joint spectral radius was really missing in the literature, so that the ?rst two chapters of part I present such a survey. The other chapters mainly report personal research, except Chapter 5 which presents animportantapplicationofthejointspectralradi...
Drawing from the vast photography collection at the San Francisco Museum of Modern Art, American Geography charts a visual history of land use in the United States From the earliest photographic records of human habitation to the latest aerial and digital pictures, from almost uninhabited desert and isolated mountainous territories to suburban sprawl and densely populated cities, this compilation offers an increasingly nuanced perspective on the American landscape. Divided by region, these photographs address ways in which different histories and traditions of land use have given rise to different cultural transitions: from the Midwestern prairies and agricultural traditions of the South, to...
In 2012, the joyful hopes of the democratic Egyptian Revolution were tempered by revelations of mass sexual assault in Tahrir Square in Cairo, the revolution's symbolic birthplace. This is the story of the women and men who formed Opantish - Operation Anti-Sexual Harassment - who deployed hundreds of volunteers, scouts rescue teams, and getaway drivers to intervene in the spiraling cases of sexual violence against women protesters in the square. Organized and led by women during 2012-2013 - the final, chaotic months of Egypt's revolution - teams of volunteers fought their way into circles of men to pull the woman at the center to safety. Often, they risked assault themselves. Journalist Yasm...