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Philosophers Of All Persuasions Claim That It Is Only Phenomenology That Can Show Us The Way Out Of The Philosophical Cul De Sac And Can Lead Us To The Disclosure Of The Structures Of Consciousness And Life-World. The Present Work Analyses Such Proud Claims Threadbare From The View¬Points Of: Psychology, Existentialism, Marxism And Indian Philosophies. It Also Includes The Author S Own Criticisms Of Phenomenology. But The Book Is Not All Negative In Attitude; It Also Gives An Account Of The Plus-Points Of Phenomenology. In Addition, Chapter I Of The Book Briefly Intro¬Duces Phenomenology Itself, Which Will Help Even The Uninitiated Pursue The Arguments Of The Work.
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Although their subjects, styles, and techniques often differ, in total these poems make clear the distinctions between the nature of poetry in Eastern Europe and that in the West. While several of the languages represented here are limited to a small number of speakers, each has a commitment to the central role of poetry in the history of its people and as a source of their unity.
A remarkable meditation on the topography of the modern city, A Shout in the Street offers a close and sensitive examination of four urban landscapes--London, Paris, Leningrad, and New York. Peter Jukes pursues the essence of these international metropolises in an assemblage comprised of his own evocative essays, excerpts from modern masters of the essay form such as Benjamin, Barthes, and Sontag, and period photographs. A Shout in the Street, with a keenly cinematic eye, searches out not just the glittering facades, but the vitality of thoroughfares and neighborhoods.
Winner of the prestigious 'Giuseppe Sormani International Prize' for the best monograph on Antonio Gramsci (4th edition, 2012-2017). Antonio Gramsci (1891-1937) is one of the most translated Italian authors of all time. After the Second World War his thought became increasingly influential, and remained relevant throughout the second half of the century. Today, it is generally agreed that his Marxism has highly original and personal features, as confirmed by the fact that his international influence has continued to grow since the fall of the Berlin Wall and the collapse of the Soviet Union. Gramsci and Languages offers an explanation of this originality and traces the origins of certain specific features of Gramsci’s political thought by looking at his lifelong interest in language, especially in questions of linguistic diversity and unification.
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This is a groundbreaking exploration of the mystery of existence, in that it both assimilates many divergent paths, showing how these proceed toward the same hallowed destination- wonder- and also by preparing the reader to walk along this way. There are over two-hundred and fifty individuals quoted in this work, from many disparate cultures, epochs, and paths. Though scholarly in nature, the book is intended to be inspirational, and is accessible to a vast range of readers. This is a book devoted to the miracle, awe, and beauty in all life. It is a book about the rapture of unknowing.
This book addresses the problems of the nature of the category of aspect, its formal expression and its relation to Action modes, to the Aorist/Imperfect and Perfect/Non-Perfect distinctions. The discussion is largely based on data from Bulgarian - a Slavonic language where aspect as a grammatical category systematically coexists not only with verbal prefixation, but also with temporal boundedness, correlation and, in the nominal sphere, definiteness. Cross-language parallels with English and French data and the mapping of Bulgarian structures to notions drawn from the «western» tradition of aspectual study result in the outline of a framework for an integrated study of the expression of aspectuality in languages belonging to different language groups. Refuting existing views of aspect as a «compensatory» phenomenon for nominal definiteness, the book presents arguments in favour of a systematic relation between verbal prefixation and NP quantification in Slavonic languages and of a compositional, syntactic dimension of aspectual analysis.