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Recipes for Respect
Food studies, once trendy, has settled into the public arena. In the academy, scholarship on food and literary culture constitutes a growing river within literary and cultural studies, but writing on African American food and dining remains a tributary. Recipes for Respect bridges this gap, illuminating the role of foodways in African American culture as well as the contributions of Black cooks and chefs to what has been considered the mainstream. Beginning in the early nineteenth century and continuing nearly to the present day, African Americans have often been stereotyped as illiterate kitchen geniuses. Rafia Zafar addresses this error, highlighting the long history of accomplished Africa...
We Wear the Mask
Zafar demonstrates that in doing so, these forerunners of modern black American writers both adapted to and reacted against a milieu of social resistance and cultural antipathy. By the end of Reconstruction, this first century of black writers had paved the way for a distinctive, African American literature.
Harriet Jacobs and Incidents in the Life of a Slave Girl
This is a far-ranging study which contextualises both the historical figure of Harriet Jacobs and her autobiography as a created work of art.
God Made Man, Man Made the Slave
George Teamoh was born in 1818 in Norfolk, Virginia. His parents were slaves named David and Lavinia. He was owned by Josiah and Jane Thomas who hired him out to various businesses. In 1841 he married Sallie and had three children. In 1853 he was separated from his family when they were sold to different slaveholders. His owners allowed him to move to Boston and in 1863 he married Elizabeth Smith, whom he divorced two years later. In 1865 he returned to Portsmouth, Virginia and remarried his wife Sallie. He became an influential leader in local politics and public education. He was the first black man to serve as a state senator. He died about 1883.
The Cambridge Companion to the African American Slave Narrative
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Vibration Cooking
Vibration Cooking was first published in 1970, not long after the term “soul food” gained common use. While critics were quick to categorize her as a proponent of soul food, Smart-Grosvenor wanted to keep the discussion of her cookbook/memoir focused on its message of food as a source of pride and validation of black womanhood and black “consciousness raising.” In 1959, at the age of nineteen, Smart-Grosvenor sailed to Europe, “where the bohemians lived and let live.” Among the cosmopolites of radical Paris, the Gullah girl from the South Carolina low country quickly realized that the most universal lingua franca is a well-cooked meal. As she recounts a cool cat’s nine lives as...
The Intimate Empire
By means of contextualized readings, this work argues that autobiographic writing allows an intimate access to processes of colonization and decolonization, incorporation and resistance, and the formation and reformation of identities which occurs in postcolonial space. The book explores the interconnections between race, gender, autobiography and colonialism and uses a method of reading which looks for connections between very different autobiographical writings to pursue constructions of blackness and whiteness, femininity and masculinity, and nationality. Unlike previous studies of autobiography which focus on a limited Euro American canon, the book brings together contemporary and 19th-century women's autobiographies and travel writing from Canada, the Caribbean, Kenya, South Africa, Australia and New Zealand. With emphasis on the reader of autobiography as much as the subject, it argues that colonization and resistance are deeply embedded in thinking about the self.
Handbook of Autobiography / Autofiction
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
The Delectable Negro
Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally ho...
Soft Canons
Recognizing that masculine literary tradition can include marginalized male writers as well as canonized female writers and that traditions themselves change over time, the essays in this insightful and coherent collection also explore the investment of the writers, as well as ninetieth- and twentieth-century readers, in canon creation. As it reconstructs conversations between these earlier authors and initiates new dialogues for today’s readers, Soft Canons offers provocative reconceptualizations of American literary and cultural history.
