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Bollywood
A unique collection of interviews, reviews and behind the scenes articles selected from the works of Fuad Omar and his writings on the Indian film industry.
Memories Come Alive
In this work, the author takes a nostalgic trip down memory lane. He records his early days in Bombay as an assistant music director to his uncle and S.D. Burman, among other memorable vividly recounted tales, and stories. It is peppered with anecdotes.
Hero Vol.2
This volume focuses on the life and times of the ‘star of the millennium’, Amitabh Bachchan, and goes on to describe his contemporaries such as Shashi Kapoor, Dharmendra and Vinod Khanna, and also the next generation of heroes, including the Khans, Govinda, Hrithik Roshan and others who have followed. Ashok Raj is a research coordinator based in New Delhi. An alumnus of the Indian Institute of Technology, New Delhi, he has served as a consultant to several national and international organizations and NGOs in various spheres such as science, culture and the media. His significant work is a sixteen-part series on cinema, which was published in Screen (in 1988).
Non-Metal Catalyzed Synthesis
Non-metal catalysis may provide new and green methods for obtaining bioactive heterocycles. Many catalysts contain metals, which can be toxic, energy intensive to remove, and require mining of the source materials. By utilizing metal-free catalysts we avoid these issues. This book explores the use of non-metal catalysts when synthesizing various heterocyclic structures with bioactivity.
JOURNAL OF ORAL MEDICINE SURGERY PATHOLOGY BIOLOGY
The journal is a powerhouse of data in the areas of dentistry such as Oral Medicine, Oral Surgery, Oral Pathology and Oral Biology
Mehmood, a Man of Many Moods
This Is The Rags To Riches Story Of Bollywood`S Superstar Comedian.
The Literary Works of Ranganathan Magadi
Twilight Zone is a collection of nine short stories,all written by the same author,Ranganathan Magadi.The stories relate to murder,love, homosexuality, AIDS, gang war, terrorism, patriotism, filial affection, marital fraud and medical negligence.The themes are very new and the mode of presentation is different.
Studying Indian Cinema
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
S.D. Burman
SD, or Sachin Dev Burman, the man who gave Hindi film music its grammar, is perhaps the most enigmatic figure in Indian cine history. As the young scion of the Tripura royal family, SD struck out into the world of cinema and popular music. The early years were difficult, professionally and personally. His unconventional choice of profession and marriage to a 'commoner' caused his family to ostracize him, and his formal training was not enough to stave off rejections. This well-researched biography is both a tribute to a great artist, and a deep inquiry into what made his music great. Going well beyond merely listing his greatest songs, it explores hitherto unknown stories about the creation ...
Down Bollywood Street, On Melody Beat
India is home to almost every religion in the world, each practised by its own set of believers. But two religions are practised, indeed celebrated, by all Indians across the length and breadth of the country all the time . . . cricket and cinema. Indian cinema is 100 years old. 105 years, to be exact, since Dadasaheb Phalke made India’s first full length silent film Raja Harishchandra in 1913. Sound entered the silent movie when Ardeshir Irani made India’s first talkie film Alam Ara in 1931. Sound brought into movies that magical potent, that elixir craved for by entertainment seeking audiences of all ages, all classes . . . . . MUSIC ! This book showcases some of Bollywood’s immortal music melodies from 1950 to 2010 that have stood the test of Time. And the people behind them. Come, let’s take a trip DOWN BOLLYWOOD STREET, ON MELODY BEAT !
