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The Medieval Heritage of Elizabethan Tragedy
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1936.
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The Mirror
This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.
"In His Image and Likeness"
In this ground-breaking book, Kristin Zapalac brings together the methods of social, intellectual, and art history to achieve a new understanding of how the Protestant Reformation altered the terms of political discourse in a German free imperial city. In Zapalac's view, visual and verbal images, many of them having their origins in conceptions of the sacred, were more central to sixteenth-century political thought within the city walls than was the rationalized language of law. Drawing on a wealth of sources including bookbindings, sermons, wills, frescoes, decrees, and woodcuts, she traces the impact of religious change on the languages of judgment and authority used in the city of Regensburg, and thereby sheds light on the nature of political thought in early modern Germany.
A Preface to Chaucer
What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices and decorations-to show how these conventions affected the visual arts of Chaucer's time. Special attention is directed to fundamental differences between medieval and modern attitudes toward poetry, and to the significance of these differences for an approach to medieval art. By placing Chaucer fully in his own time, Mr. Robertson establishes new perspectives for understanding Chaucer’s poetry...
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