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Caminemos con Jesus
While the growth in both numbers and influence of Hispanics in North American Catholicism and Protestantism has been commented on widely, up until now there has been no systematic attempt to define a Hispanic theology. Roberto Goizueta, a Cuban-American theologian, aware that "Hispanic" and "Latino" can be terms imposed artificially on diverse peoples, finds a common link in the Spanish language and in a shared culture. Central to this culture is the experience of exile, of being a people at the margins of a society, who must find and make their way together. Central also is faith, and its grounding in this experience of being in exile. In delineating the very particular nature and worldview...
Bolívar’s Afterlife in the Americas
Simón Bolívar is the preeminent symbol of Latin America and the subject of seemingly endless posthumous attention. Interpreted and reinterpreted in biographies, histories, political writings, speeches, and works of art and fiction, he has been a vehicle for public discourse for the past two centuries. Robert T. Conn follows the afterlives of Bolívar across the Americas, tracing his presence in a range of competing but interlocking national stories. How have historians, writers, statesmen, filmmakers, and institutions reworked his life and writings to make cultural and political claims? How has his legacy been interpreted in the countries whose territories he liberated, as well as in those where his importance is symbolic, such as the United States? In answering these questions, Conn illuminates the history of nation building and hemispheric globalism in the Americas.
A Cultural History of Latin America
The Cambridge History of Latin America is a large scale, collaborative, multi-volume history of Latin America during the five centuries from the first contacts between Europeans and the native peoples of the Americas in the late fifteenth and early sixteenth centuries to the present. A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History on literature, music, and the visual arts in Latin America during the nineteenth and twentieth centuries. The essays explore: literature, music, and art from c. 1820 to 1870 and from 1870 to c. 1920; Latin American fiction from the regionalist novel between the Wars to the post-War New Novel, from the 'Boom' to the 'Post-Boom'; twentieth-century Latin American poetry; indigenous literatures and culture in the twentieth century; twentieth-century Latin American music; architecture and art in twentieth-century Latin America, and the history of cinema in Latin America. Each chapter is accompanied by a bibliographical essay.
Indian Captivity in Spanish America
Even before the arrival of Europeans to the Americas, the practice of taking captives was widespread among Native Americans. Indians took captives for many reasons: to replace--by adoption--tribal members who had been lost in battle, to use as barter for needed material goods, to use as slaves, or to use for reproductive purposes. From the legendary story of John Smith's captivity in the Virginia Colony to the wildly successful narratives of New England colonists taken captive by local Indians, the genre of the captivity narrative is well known among historians and students of early American literature. Not so for Hispanic America. Fernando Operé redresses this oversight, offering the first...
Equal Rights 1970
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Carlos Fuentes, Mexico, and Modernity
In Carlos Fuentes, Mexico, and Modernity, Maarten van Delden argues that there is a fundamental paradox at the heart of Fuentes's vision of Mexico and in his role as novelist and critic in putting forth that vision. This paradox hinges on the tension between national identity and modernity. A significant internal conflict emerges in Fuentes's work from his attempt to stake out two different positions for himself, as experimental novelist and as politically engaged and responsible intellectual. Drawing from the fiction, literary essays, and political journalism, van Delden places these tensions in Fuentes's work in relation to the larger debates about modernity and postmodernity in Latin Amer...
Confederate Patriot, Journalist, and Poet:
José Agustín Quintero (1829-1885) was a Cuban American from New Orleans, Louisiana who skillfully and energetically represented the Confederacy in northeastern Mexico during the Civil War. This dynamic multilingual leader helped coordinate the defensive plans necessary to protect the Texas border and insure the procurement of war material and provisions vital to the Southern Army. He is a relatively unknown but fascinating figure in many ways: a native of Cuba who participated in his country’s struggle for independence against Spain, an outstanding writer of Cuban patriotic poetry, and an American who was highly respected and recognized for his legal and journalistic accomplishments, as well as his significant diplomatic contributions to the Southern Cause. This is the story of a man of extraordinary culture, an extremely intelligent, capable, and determined immigrant who believed passionately in a cause and dedicated much of his short life to it.
Marxists at the Gate
No one anticipated in 1958 that in the midst of a remarkable prosperity, Cuba would fall into Communism. It seemed impossible that an island 90 miles from the US, the most powerful Capitalistic country in the planet, could turn Communist. Yet in two years it happened, at the cost of hundreds of lives, thousands of exiles, the eradication of free press, freedom of speech, private education, freedom of worship and private property. Now, everything belonged to the government, all Cubans had to ask permission to travel abroad, if they left, they could not return. The government decided what foods they could eat, where they had to live, what professions they could practice and what jobs were open to them. This book presents the history of how it happened, how it got started and the deceit and the treachery that made it possible. Cuba has not recovered its lost freedoms after 60 plus years of Communism... and probably never will. Great lesson for anyone sympathetic with Marxism or the radical left.
